Chapter 2 extends the previous chapter’s inquiry into the relationship between realist aesthetics and figurative language as it might be oriented towards an unimaginable term—an unknowable, noumenal category—by considering its collision with what May Sinclair posits as its psychological equivalent, the unconscious. Sinclair combined a career as a novelist with philosophical research, mounting a vindication of neo-Hegelian idealist philosophy. For Sinclair, idealism’s impetus for thinking about immaterial and unseen realities led to the intangible and unseen realms of the mind, and a metaphysical absolute becomes the conduit for her early realist novels to begin to imagine a form for the uncertain boundaries and contours of consciousness. Both lack a verifiable content and are therefore apparently beyond the power of language to define or accommodate. This chapter suggests that the models of subjectivity presented in her fiction seek to integrate a revelatory encounter with an idealist absolute with the incontrovertible material evidence of alternative forms of consciousness being presented by the ‘new psychology’.
DE BONT, Leslie. Le modernisme singulier de May Sinclair
