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2022 ◽  
Vol 5 (1) ◽  
pp. 135-165
Robert Cowan

Abstract This article considers the intertextual significance of Apollonios’s use on two occasions in the Argonautika of πανύστατος, a Homeric τρὶς λεγόμενον, found twice in the Iliad and once in the Odyssey. Homer applies it to Eumelos’s finishing position in the chariot race and the emergence of Polyphemos’s ram from the cave, Apollonios to Herakles’s endurance in the rowing contest and Aietes’s equally belated emergence from his palace. πανύστατος in itself simultaneously evokes belatedness and the sense of being the last remaining, in keeping with Apollonios’s epigonal poetics and his archaizing depiction of Herakles and Aietes. Intertextually, Herakles’s impromptu contest and Aietes’s role in the crypto-athletic ἄεθλος he sets Jason resonate with the Homeric funeral games and their exploration of the definition of excellence and how it is measured, through the figure of Eumelos who is both πανύστατος and ἄριστος. Polyphemos’s ram, whose superficially humble lastness conceals Odysseus’s victory, renders the relationship more complex still.

2022 ◽  
Vol 717 ◽  
pp. 122001
Wenyang JIA ◽  
Lu REN ◽  
Jian XU ◽  
Shicheng WANG ◽  
Tetsuo SHOJI ◽  

2022 ◽  
Temenuga Trifonova

Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema’s fluctuating imaginary of ‘art’ and ‘the art world’. The book examines the intersection of art history with history in cinema, cinema’s simultaneous affirmation and denigration of the idea of art as ‘truth’ and what this means for cinema’s understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world’s tenuous position between commercial good and cultural capital.

2022 ◽  
Vol 1 (1) ◽  
pp. 119-124

From October 5 to 10, 2020, Performance Curators Initiative (PCI),1 a network of artists, curators, performance-makers, cultural workers, educators, practitioners, and enthusiasts based in the Philippines, held their third conference online via Zoom and streamed it on YouTube. Entitled “Conversations on Curation and Performance in the Time of Halting and Transformation,” I participated in this conference that opened a digital space for curators and performers around the world to talk about the effects of the global pandemic on the live arts. Connections, conversations, creative research, collaborations—as PCI founder and conference organizer Roselle Pineda notes—are the main focus of the network, which seeks to look at the relationship between “[p]erformance and curation, the role of curation in performance and role of performativity in curatorial practice” (from the network’s website). Pineda had invited me to register for the conference, which was focused on the role of curator as one who activates enabling spaces.

2022 ◽  
Vol 1 (1) ◽  
pp. 60-70

The relationship between performance and curation has shift ed. A new attitude of fluid and pragmatic alliance has evolved as the sense of an essential antagonism between performance and curation recedes and the two fields discover a shared focus on aspects of social engagement and agency. This article considers an Australian socially engaged art project, the Kandos School of Cultural Adaptation (KSCA), which meshes curatorial and artistic practices in its efforts to reimagine and reanimate the future of a small country town. Employing a wide range of strategies, KSCA works closely with the local community to facilitate collective memory, reflection and social and environmental transformation. Deliberately avoiding traditional lines of artistic and institutional tension, KSCA employs an impure and inclusive approach that is emblematic of emerging forms of activist contemporary art.

2022 ◽  
Vol 34 (3) ◽  
pp. 0-0

Network emerging e-commerce refers to the development of wireless broadband technology, smart terminal technology, near-field network, etc. as the driving force. It is the emerging e-commerce represented by the continuous development of modern e-commerce and the integration of commerce. This paper proposes to use Michael Porter’s cluster theory method, income increasing algorithm, and spatial Gini coefficient method to sort out and analyze the research results of industrial agglomeration problems, further study the relationship of e-commerce industry agglomeration mechanism, and build agglomeration simulation model , the construction of the centripetal force model of the industrial agglomeration area, through the analysis of the production factors of the e-commerce industry, and then study the influence of each factor on the development of the e-commerce industry. Finally, this paper selects and uses 16 standard mechanical data sets to investigate and analyze the agglomeration mechanism of the e-commerce industry, which verifies the accuracy and overall applicability of the method.

2022 ◽  
Vol 33 (88) ◽  
pp. 13-28
Celliane Ferraz Pazetto ◽  
Ilse Maria Beuren

ABSTRACT The aim of this study was to analyze the influence of the design of management control systems (MCSs) on interorganizational cooperation and the moderating role of companies’ identification with their technology park. The conditions that promote the emergence of interorganizational cooperation are indicated in the literature as an important research gap, as well as the little evidence about how MCS design influences cooperation, especially in relationships based on innovation. MCSs in interorganizational partnerships have been shown to be relevant for the coordination and maintenance of the relationship, and this study reveals that MCSs promotes cooperative behaviors among the companies associated with the technology parks. The interorganizational identification of the companies with their park was moderately present, thus prompting the inclusion of social and relational aspects in interorganizational studies, which remain scarcely explored in the literature. The MCSs of the parks are focused on stimulating the companies’ cooperation, which is one purpose of this partnership. By not confirming the moderating effect of identification, it was verified that this construct drives cooperation in a way that is dissociated from the MCSs. A survey was conducted in organizations associated with Porto Digital and with the São José dos Campos Technology Park, and it had the participation of 187 managers. To analyze the data the partial least squares structural equation modeling technique was applied and the differences between the two parks were further analyzed. The MCSs design and interorganizational identification act as antecedents of the companies’ cooperation with their technology park. On the other hand, the direct and positive effect of the MCS design on cooperation is not moderated by how much these companies identify with the interorganizational relationship established. The paper contributes by identifying ways of fostering cooperation, one of the purposes of interorganizational agreements, as well as by providing evidence in a context that is scarcely addressed in the literature.

2022 ◽  
Vol 75 ◽  
pp. 102543
Shabir Mohsin Hashmi ◽  
Bisharat Hussain Chang ◽  
Liangfang Huang ◽  
Emmanuel Uche

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