scholarly journals Cavell’s “Moral Perfectionism” or Emerson’s “Moral Sentiment”?

Author(s):  
Joseph Urbas
2010 ◽  
Vol 7 (1) ◽  
pp. 37-53 ◽  
Author(s):  

AbstractThe history of ethics contains many moral faculty theories, which usually are sorted by their metaphysics. The usual suspects include moral rationalism (Richard Price, Kant), moral sentiment theory (Hutcheson, Hume, Smith) and the varieties of ethical naturalism. Moral faculty theories differ importantly upon yet another dimension, on how widely it is distributed. Some, the Platonic elitists (Plato, J.S. Mill, R.M. Hare), suppose that moral truth can be discerned only by philosophical argument. Hence, they ascribe a revisionary task to normative theory, that of correcting nonphilosophers' moral errors. Others, the communalists (Aquinas, Hume, W.D. Ross), hold that the moral faculty is universally distributed. Hence, they hold that normative theory's task is not to revise, but rather to discern and explain the shared moral conception that we all apply in our ordinary moral lives. I here offer arguments to support commonalism.


Author(s):  
Arnold Davidson

Abstract: Beginning with Pierre Hadot’s idea of spiritual exercises and Stanley Cavell’s conception of moral perfectionism, this essay argues that improvisation can be understood as a practice of spiritual self-transformation. Focusing on the example of Sonny Rollins, the essay investigates the ways in which Rollins’ improvisations embody a series of philosophical concepts and practices: the care of the self, the Stoic exercise of cosmic consciousness, the problem of moral exemplarity, the ideas, found in the later Foucault, of a limit attitude and an experimental attitude, and so on. The underlying claim of the essay is that improvisation is not only an aesthetic exercise, but also a social and ethical practice that can give rise to existential transformations.


Emotion ◽  
2010 ◽  
Vol 10 (2) ◽  
pp. 289-293 ◽  
Author(s):  
David DeSteno ◽  
Monica Y. Bartlett ◽  
Jolie Baumann ◽  
Lisa A. Williams ◽  
Leah Dickens

2019 ◽  
Vol 45 (2) ◽  
pp. 332-350
Author(s):  
Piergiorgio Donatelli
Keyword(s):  

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