scholarly journals The « AIDS Memorial Quilt » au National Mall : cartographie d'une pandémie

2012 ◽  
Author(s):  
Géraldine Chouard
Public Voices ◽  
2016 ◽  
Vol 11 (1) ◽  
pp. 89
Author(s):  
Amy Probsdorfer Kelley ◽  
John C. Morris

The process to win approval to build a national memorial on the National Mall inWashington, DC is both long and complex. Many memorials are proposed, but few are chosen to inhabit the increasingly scarce space available on the Mall. Through the use of network analysis we compare and contrast two memorial proposals, with an eye toward understanding why one proposal was successful while the other seems to have failed. We conclude that the success of a specific memorial has less to do with the perceived popularity of the person or event to be memorialized, and more to do with how the sponsors use the network of people and resources available to advocate for a given proposal.


2020 ◽  
pp. 175069801989468
Author(s):  
Spencer P Cherasia

The NAMES Project AIDS Memorial Quilt is a collaborative project that memorializes individuals who have died of AIDS-related causes. Since its inception, it has become the world’s largest public folk art project. Scholars have noted the Quilt’s materiality, scope, and cultural importance to collective memory processes related to HIV/AIDS. More recently, discussions of collective memory in the digital public sphere have attracted attention from new media theorists and memory scholars alike. @theAIDSmemorial (TAM) is an Instagram account that serves as a digital repository for a new form of connective memory. By assessing two AIDS memorials as comparative cases, this research argues that TAM’s digital affordances of interactivity and reach are evident, although in assessing the digital remediation of the NAMES Project AIDS Memorial Quilt, the materiality, metaphoric origins, and scope of the Quilt cannot be rendered on digital platforms, representing a loss in affective engagement.


Antiquity ◽  
2005 ◽  
Vol 79 (304) ◽  
pp. 424-439 ◽  
Author(s):  
Claire Smith

The National Museum of the American Indian (NMAI), the Smithsonian Institution’s new facility on the National Mall in Washington DC, challenges the very notion of what constitutes a museum. Probably the most theoretically informed museum in North America, this is no shrine to the past: it is a museum that claims both past and present to shape a decolonised future for Indigenous populations.


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