Maistre, Joseph de (1753–1821)

Author(s):  
Richard A. Lebrun

Count Joseph de Maistre was a major theorist of the Counter-Enlightenment, whose writings inspired generations of French Catholic royalists and stimulated thinkers diverse as Saint- Simon, Auguste Comte and Charles Maurras. He is known especially for his providential interpretation of the French Revolution, his support for a Bourbon Restoration in France, his opposition to all contractual theories of government, his arguments in favour of papal infallibility, his philosophical speculations on violence and bloodshed, his critique of John Locke’s epistemology and his attack on Francis Bacon’s ‘scientism’.

Author(s):  
Jay Bergman

Neither Marx nor Lenin wrote much about the Revolution of 1830. This was largely because the revolution stopped too soon, thereby merely ratifying changes within the bourgeoisie instead of replacing the capitalist system (that existed to benefit the bourgeoisie) with a proletarian one. In the way the Bolsheviks explained it, the bourgeoisie split in the 1820s into more prosperous elements favouring the continuation of the Bourbon Restoration and less affluent ones that in 1830 were able to install the so-called Orléanists in power. This split, which continued, ensured the latter’s quick demise. But the proletariat was still too small and too weak and insufficiently radical politically to succeed it. However, despite its limited consequences, the Revolution of 1830 served the enormously important purpose of showing that the French Revolution, while sui generis in many ways, was also the first in a series of revolutions in the history of France that together constituted a genuine tradition of revolution.


2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.


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