The Discursive Turn of Male Pointe Work

2021 ◽  
Vol 2 (1) ◽  
pp. 57-68
Author(s):  
Ok-Hee Jeong
Keyword(s):  
Author(s):  
Russell Warman
Keyword(s):  

2021 ◽  
Vol 29 (2) ◽  
pp. 275-280 ◽  
Author(s):  
Carmen Becker
Keyword(s):  

2013 ◽  
Vol 33 (3) ◽  
Author(s):  
Amanda Cachia

<p class="NormalWeb1Char1">The author describes two exhibits:<em> Blind at the Museum</em> at the Berkeley Art Museum in 2005, and <em>What Can a Body Do?</em>, at the Canter Fitzgerald Gallery at Haverford College in 2012.&nbsp;&nbsp; She argues for inclusive design in the exhibits themselves, as well as what she calls the exhibit&rsquo;s discursive elements--catalogues, docent tours, symposia, and websites--that not only extend the life of such exhibits but also expand access for attendees and others.&nbsp; <strong></strong></p><p class="NormalWeb1Char1"><strong>&nbsp;</strong></p><p class="NormalWeb1Char1">Key words: Blind artists, inclusive design, accessible exhibit design, the discursive turn, the Berkeley Art Museum, the Canter Fitzgerald Gallery.&nbsp;</p>


2020 ◽  
pp. 030913252090565 ◽  
Author(s):  
Jo Sharp

This article seeks to advance the case for feminist geopolitics that recognises the challenges both to the Enlightenment individual and the discursive turn in geography posed by ‘new materialisms’. I will argue that for a distinctively feminist geopolitics a consideration of the way that representational categories align the material around bodies is vital. After a brief discussion of feminist geopolitical approaches, the article moves on to consider accounts of new materialism and assemblage approaches as they are applied to geopolitics, before moving on to consider what a forensic approach might offer to a materialist feminist geopolitics.


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