From Exigency To Civic Pride

Author(s):  
Julie Willis
Keyword(s):  
Author(s):  
Andrew Demshuk

This book illuminates how civic life functioned in Leipzig, East Germany's second-largest city, on the eve of the 1989 revolution by exploring acts of “urban ingenuity” amid catastrophic urban decay. The book profiles the creative activism of local communist officials who, with the help of scores of volunteers, constructed a palatial bowling alley without Berlin's knowledge or approval. In a city mired in disrepair, civic pride overcame resentment against a regime loathed for corruption, Stasi spies, and the Berlin Wall. Reconstructing such episodes through interviews and obscure archival materials, the book shows how the public sphere functioned in Leipzig before the fall of communism. Hardly detached or inept, local officials worked around centralized failings to build a more humane city. And hardly disengaged, residents turned to black-market construction to patch up their surroundings. Because such “urban ingenuity” was premised on weakness in the centralized regime, the dystopian cityscape evolved from being merely a quotidian grievance to the backdrop for revolution. If, by their actions, officials were demonstrating that the regime was irrelevant, and if, in their own experiences, locals only attained basic repairs outside official channels, why should anyone have mourned the system when it was overthrown?


Robert Bosch ◽  
2019 ◽  
pp. 69-76
Author(s):  
Peter Theiner
Keyword(s):  

Author(s):  
Alan Fowler

A source of historical evidence whose value has attracted greater attention in recent years is the newspaper cartoon, which Alan Fowler draws on in his essay on the Lancashire writer and comic performer, Sam Fitton, a popular cartoonist on the Cotton Factory Times, the weekly newspaper of Lancashire cotton operatives, published between 1907 and 1917. Fitton’s work has been largely overlooked by historians and Fowler makes a valuable contribution to the biographical scholarship on British cartoonists, using Fitton’s cartoons on the home front to explore a neglected aspect of World War One history, the conditions and preoccupations of Lancashire cotton workers. Fowler places these within the broader context of the Lancashire cotton industry with which Fitton, himself a cotton worker, was very familiar, and draws attention to the richness of these cartoons as a regional source whose evocation of a sense of belonging and place among its Lancashire readers was very different from the civic pride exemplified by the local history societies and public statuary of the Victorian period, on which Kidd and Wyke focus.


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