Detection and Correction of Lip-Sync Errors Using Audio and Video Fingerprints

Author(s):  
Kent Terry ◽  
Regunathan Radhakrishnan
Keyword(s):  

Author(s):  
Nenad Pekez ◽  
Radovan Celic ◽  
Robert Peckai-Kovac ◽  
Jelena Kovacevic
Keyword(s):  


Author(s):  
Tatsuya Nakata ◽  
Masayuki Kashima ◽  
Kiminori Sato ◽  
Mutsumi Watanabe


Author(s):  
Julie Beth Napolin

Chapter One is a study of Joseph Conrad’s first novel, Almayer’s Folly, and it concentrates on the first two words of the novel, neither of which are in English. The chapter approaches the novel through the filters of these words’ racial and colonial sound effects, which become a basis for reappraising canonical tropes of voice in narrative theory, media theory, and the phenomenology of reading. Conrad’s novelistic writing becomes critical when read in relation to emergent sound technologies, the phonograph and ethnography, both of which simultaneously depended on the oral while superseding it through a different mode of technological mediation. But the novel, as a form, only becomes a “modern” technology of voice in its discovery of free indirect discourse, which is premised upon an exclusion of the colonial sonic traces of sexual violence. The chapter concludes with Chantal Akerman’s adaptation of Conrad using lip-sync as a postcolonial strategy.



Author(s):  
Steve Roberts
Keyword(s):  


2009 ◽  
pp. 126-154
Author(s):  
H WHITAKER
Keyword(s):  


2013 ◽  
pp. 146-148
Keyword(s):  




1965 ◽  
Vol 74 (12) ◽  
pp. 1097-1101
Author(s):  
John W. Kausch
Keyword(s):  


Sign in / Sign up

Export Citation Format

Share Document