This chapter explores the ambivalence of the Romantic familiar essay form towards the city by looking at the two main literary tributaries that fed into it—the current of self-consciously pro-metropolitan prose writing that had been inaugurated by Steele and Addison, and the more anti-commercial tradition of retirement poetry epitomized by William Cowper and the Lake poets. It looks at the way in which Leigh Hunt, William Hazlitt, and Charles Lamb in particular strove to bury their continuing misgivings about the polis as a centre of commercial rapacity and unruly popular politics in celebrations of the city as being, under certain controlled conditions, a precious haven of imaginative activity, personal reminiscence, and literary tradition. Their aim, even if it was never quite articulated as such, was to turn the Romantic periodical essay into a prose medium that was as sensitive as Wordsworth’s poetry to the ravages of recent historical change, while maintaining, in the end, a more progressive and forward-looking attitude to it.
