Last Things

Author(s):  
Peter Robinson

The final chapter in this text, written by Peter Robinson and aptly titled ‘Last Things’, focuses on Fisher’s volume of Collected Poems 1968. Robinson begins his analysis with a breakdown of the work’s original title, The Ghost of a Paper Bag, a sentence labelled by Fisher as ‘expressive’. The chapter also focuses on Fisher’s literary style, including his unusual use of the first person, and references the writer’s block experienced by Fisher in the late 1960s. The chapter concludes with a commentary on Fisher’s preoccupation with ‘last things’, including death and childhood illness, across the poems present in Collected Poems 1968.

2015 ◽  
Vol 103 (3) ◽  
pp. 52-63
Author(s):  
Jean McGarry

1985 ◽  
Vol 61 (1) ◽  
pp. 298-298 ◽  
Author(s):  
Nicholas F. Skinner ◽  
Arthur H. Perlini ◽  
Lawrence Fric ◽  
E. Paul Werstine ◽  
James Calla

Author(s):  
Naomi Greyser

This chapter examines masculine individualism’s push–pull relationship with sympathy, beginning in The Scarlet Letter’s Custom-House. There, Hawthorne’s narrator sympathetically presses Hester Prynne’s dusty, scarlet A against his heart, feeling a burning tingle as he places himself in her position. Sections read touch and untouchability in The Scarlet Letter, exploring what encouraged male readers to overcome what Henry Thoreau referred to as masculinity’s “gulf of feeling” to experience sentimental connection. Writing through alienation and writer’s block, Hawthorne’s tingling connection with Hester in the Custom-House propelled him to complete the novel in just five weeks, after being fired from his position as surveyor. His imagined intimacy with Prynne emerges against myths of the self-made man and the untouchable citizen-subject. Readings of tactility reveal alphabetic print and textual space as sites of flux and flow, intimacy and distance, as writers and readers sympathetically lean into and recoil from page and print.


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