Soft Power: Hwang and Tesori’s reappropriation of The King and I in representing twenty-first-century diplomacy and the dystopic reality of contemporary America

This article reviews David Henry Hwang and Jeanine Tesori’s Soft Power. In this ‘play with a musical’, Hwang and Tesori revisit Rodgers and Hammerstein’s The King and I to critique its Asian stereotypes. The genre-bending form is, however, much more than a simple retelling of a flawed musical of the past. As the article demonstrates, the writers question China’s attempts at public diplomacy and its efforts to acquire soft power vis a vis its dismal human rights records. The play does so by not merely reversing the narrative of The King and I but by offering a nuanced take on twenty-first-century politics. In doing so, the writers create a scathing portrayal of American reality set against a backdrop of contemporary events.