The State of Post-Cinema
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13

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Published By Palgrave Macmillan UK

9781137529381, 9781137529398

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Introduction: Like Water: On the Re-Configurations of the Cinema in the Age of Digital Networks

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_1 ◽

2016 ◽

pp. 1-13

Author(s):

Malte Hagener ◽

Vinzenz Hediger ◽

Alena Strohmaier

Keyword(s):

Digital Networks

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Venice to Go: Cultural In/Difference and the Digital Ecology of Film

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_2 ◽

2016 ◽

pp. 17-48

Author(s):

Vinzenz Hediger

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Cinephilia and Film Culture in the Age of Digital Networks

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_11 ◽

2016 ◽

pp. 181-194

Author(s):

Malte Hagener

Keyword(s):

Digital Networks ◽

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The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_5 ◽

2016 ◽

pp. 89-98

Author(s):

Jamal Bahmad

Keyword(s):

Digital Reproduction

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Distributing Moving Image Art After Digitization

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_10 ◽

2016 ◽

pp. 165-180

Author(s):

Erika Balsom

Keyword(s):

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Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)Stability of the Multiplex Market

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_9 ◽

2016 ◽

pp. 149-163

Author(s):

Florian Hoof

Keyword(s):

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Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding in the Digital Age

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_4 ◽

2016 ◽

pp. 71-86

Author(s):

Patricia Caillé

Keyword(s):

Digital Age ◽

Women Filmmakers

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De-coding or Re-Encoding?

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_13 ◽

2016 ◽

pp. 211-224

Author(s):

Kevin B. Lee

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The Secret Lives of Images

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_12 ◽

2016 ◽

pp. 195-209

Author(s):

Marc Siegel

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Watching the Forbidden: Reception of Banned Films in Iran

The State of Post-Cinema ◽

10.1057/978-1-137-52939-8_6 ◽

2016 ◽

pp. 99-113 ◽

Author(s):

Saeed Zeydabadi-Nejad

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