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Contemporary Approaches to Adaptation in Theatre
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17
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Published By Palgrave Macmillan UK
9781137597823, 9781137597830
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Latest Documents
Most Cited Documents
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Related Sources
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‘The Thrill of Doing it Live’: Devising and Performing Katie Mitchell’s International ‘Live Cinema’ Productions
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_4
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2017
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pp. 69-90
Author(s):
Adam J. Ledger
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Ensaio.Hamlet: Adaptation as Rehearsal as Essay
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_17
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2017
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pp. 331-347
Author(s):
Pedro de Senna
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(Re)Mediating the Modernist Novel: Katie Mitchell’s Live Cinema Work
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_5
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2017
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pp. 97-119
Author(s):
Benjamin Fowler
Keyword(s):
Modernist Novel
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Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_3
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2017
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pp. 49-68
Author(s):
Melissa Poll
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Collective Creation and ‘Historical Imagination’: Mabou Mines’s Devised Adaptations of History
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_2
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2017
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pp. 25-47
Author(s):
Jessica Silsby Brater
Keyword(s):
Historical Imagination
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Collective Creation
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Multivalence: The Young Vic and a Postmodern Changeling, 2012
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_16
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2017
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pp. 317-330
Author(s):
Nora J. Williams
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A Tale of Two Jordans: Representing Syrian Refugees Before and After 2011
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_11
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2017
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pp. 213-230
Author(s):
George Potter
Keyword(s):
Syrian Refugees
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Before And After
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The Neo-Futurists(’) Take on Eugene O’Neill’s Strange Interlude
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_13
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2017
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pp. 251-273
Author(s):
Adrian Curtin
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Hypertheatrical Engagement with Euripides’ Trojan Women: A Female ‘Writ of Habeas Corpus’
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_10
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2017
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pp. 195-212
Author(s):
Olga Kekis
Keyword(s):
Habeas Corpus
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Fanny Hill Onstage: TheatreState and April De Angelis’s Feminist Adaptations
Contemporary Approaches to Adaptation in Theatre
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10.1057/978-1-137-59783-0_9
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2017
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pp. 175-190
Author(s):
Kara Reilly
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