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The Language of Twentieth-Century Art: A Conceptual History
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13
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Published By Yale University Press
9780300072419, 9780300233551
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6. The Dialectic of Abstract—Real in Mondrian
The Language of Twentieth-Century Art: A Conceptual History
◽
10.37862/aaeportal.00150.009
◽
1997
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5. Dialectic and Surrealism: From Breton to Pollock
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.008
◽
1997
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4. Malevich, Philosophy and Non-Objectivity
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.007
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1997
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Conclusion
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.015
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1997
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1. Iterability, Pictorial Representation and Beyond
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.004
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1997
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Keyword(s):
Pictorial Representation
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9. Simulation and Postmodern Representation
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.012
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1997
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2. The Structure of Cubism
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.005
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1997
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3. From Duration to Modernity: Bergson and Italian Futurism
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.006
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1997
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Keyword(s):
Italian Futurism
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11. Leaving the Twentieth Century: A Future for Art
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.014
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1997
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Keyword(s):
Twentieth Century
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10. The Postmodern Iterable: Installation and Assemblage Art
The Language of Twentieth-Century Art: A Conceptual History
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10.37862/aaeportal.00150.013
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1997
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Keyword(s):
Assemblage Art
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