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Film Criticism, the Cold War, and the Blacklist
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17
(FIVE YEARS 17)
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Published By University Of California Press
9780520958517
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Index
Film Criticism, the Cold War, and the Blacklist
◽
10.1525/9780520958517-015
◽
2019
◽
pp. 329-350
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5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films
Film Criticism, the Cold War, and the Blacklist
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10.1525/9780520958517-009
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2019
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pp. 171-196
Keyword(s):
Historical Films
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The Cross
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4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer
Film Criticism, the Cold War, and the Blacklist
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10.1525/9780520958517-008
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2019
◽
pp. 118-170
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Contents
Film Criticism, the Cold War, and the Blacklist
◽
10.1525/9780520958517-toc
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2019
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pp. v-vi
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Tables
Film Criticism, the Cold War, and the Blacklist
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10.1525/9780520958517-002
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2019
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pp. ix-x
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Introduction: What More Can Be Said about the Hollywood Blacklist?
Film Criticism, the Cold War, and the Blacklist
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10.1525/9780520958517-004
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2019
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pp. 1-16
Keyword(s):
Hollywood Blacklist
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Notes
Film Criticism, the Cold War, and the Blacklist
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10.1525/9780520958517-013
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2019
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pp. 279-314
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Conclusion: Old Wounds and the Texas Sharpshooter
Film Criticism, the Cold War, and the Blacklist
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10.1525/9780520958517-012
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2019
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pp. 273-278
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6. Roaming the Plains along the “New Frontier”: The Western as Allegory of the Blacklist and the Cold War
Film Criticism, the Cold War, and the Blacklist
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10.1525/9780520958517-010
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2019
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pp. 197-238
Keyword(s):
Cold War
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New Frontier
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The Cold War
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3. Reds and Blacks: Representing Race in Anti-Communist Films
Film Criticism, the Cold War, and the Blacklist
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10.1525/9780520958517-007
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2019
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pp. 83-117
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