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Published By Walter De Gruyter

9783110201550

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On the Representation of Knowledge in Athanasius Kircher

Collection - Laboratory - Theater ◽

10.1515/9783110201550.283 ◽

2005 ◽

Keyword(s):

Athanasius Kircher ◽

Representation Of Knowledge

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The Operatic Stage as an Experimental Space for Affections: About the Concepts of Affections Asserted by Athanasius Kircher and Claudio Monteverdi

Collection - Laboratory - Theater ◽

10.1515/9783110201550.146 ◽

2005 ◽

Keyword(s):

Claudio Monteverdi ◽

Athanasius Kircher

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“Mentalmente architettato” – Thoughts in Physical Form: Immutable or Dynamic? The Case of the Library

Collection - Laboratory - Theater ◽

10.1515/9783110201550.122 ◽

2005 ◽

Keyword(s):

Physical Form

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Collection - Laboratory - Theater ◽

10.1515/9783110201550.toc ◽

2005 ◽

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The Sixteenth-Century Mexican Missionary Convent as “Theatre of Conversion”

Collection - Laboratory - Theater ◽

10.1515/9783110201550.394 ◽

2005 ◽

Keyword(s):

Sixteenth Century

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Artificial Intensity: Images, Instruments, and the Technology of Amplification

Collection - Laboratory - Theater ◽

10.1515/9783110201550.338 ◽

2005 ◽

Keyword(s):

Intensity Images

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Pythagorean Musical Theater: Space, Time, and Numerical Speculation in the Ancient Metaphysical Fashion

Collection - Laboratory - Theater ◽

10.1515/9783110201550.303 ◽

2005 ◽

Keyword(s):

Musical Theater ◽

Space Time

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Scenes of Writing: The Florentine Uffizi as Kunstkammer, Laboratory, and Stage

Collection - Laboratory - Theater ◽

10.1515/9783110201550.103 ◽

2005 ◽

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Frontmatter

Collection - Laboratory - Theater ◽

10.1515/9783110201550.fm ◽

2005 ◽

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Material Culture, Theoretical Culture, and Delocalization

Collection - Laboratory - Theater ◽

10.1515/9783110201550.490 ◽

2005 ◽

Keyword(s):

Material Culture

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Collection - Laboratory - Theater
Latest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Walter De Gruyter

On the Representation of Knowledge in Athanasius Kircher

The Operatic Stage as an Experimental Space for Affections: About the Concepts of Affections Asserted by Athanasius Kircher and Claudio Monteverdi

“Mentalmente architettato” – Thoughts in Physical Form: Immutable or Dynamic? The Case of the Library

Contents

The Sixteenth-Century Mexican Missionary Convent as “Theatre of Conversion”

Artificial Intensity: Images, Instruments, and the Technology of Amplification

Pythagorean Musical Theater: Space, Time, and Numerical Speculation in the Ancient Metaphysical Fashion

Scenes of Writing: The Florentine Uffizi as Kunstkammer, Laboratory, and Stage

Frontmatter

Material Culture, Theoretical Culture, and Delocalization

Export Citation Format

Collection - Laboratory - TheaterLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Walter De Gruyter

On the Representation of Knowledge in Athanasius Kircher

The Operatic Stage as an Experimental Space for Affections: About the Concepts of Affections Asserted by Athanasius Kircher and Claudio Monteverdi

“Mentalmente architettato” – Thoughts in Physical Form: Immutable or Dynamic? The Case of the Library

Contents

The Sixteenth-Century Mexican Missionary Convent as “Theatre of Conversion”

Artificial Intensity: Images, Instruments, and the Technology of Amplification

Pythagorean Musical Theater: Space, Time, and Numerical Speculation in the Ancient Metaphysical Fashion

Scenes of Writing: The Florentine Uffizi as Kunstkammer, Laboratory, and Stage

Frontmatter

Material Culture, Theoretical Culture, and Delocalization

Collection - Laboratory - Theater
Latest Publications