Eastern European Popular Music in a Transnational Context
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Published By Springer International Publishing

9783030170332, 9783030170349

Latest Documents Most Cited Documents Contributed Authors Related Sources Related Keywords

Success, Failure, Splendid Isolation: Czesław Niemen’s Career in Europe

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_6 ◽

2019 ◽

pp. 119-136

Author(s):

Mariusz Gradowski

Keyword(s):

Splendid Isolation

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Eastern Europe as Punk Frontier

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_5 ◽

2019 ◽

pp. 101-116

Author(s):

Aimar Ventsel

Keyword(s):

Eastern Europe

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Authenticity and Orientalism: Cultural Appropriations in the Polish Alternative Music Scene in the 1970s and 1980s

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_4 ◽

2019 ◽

pp. 75-99

Author(s):

Xawery Stańczyk

Keyword(s):

Alternative Music ◽

Music Scene

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Introduction: Crossing National and Regional Borders in Eastern European Popular Music

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_1 ◽

2019 ◽

pp. 1-24

Author(s):

Ewa Mazierska ◽

Zsolt Győri

Keyword(s):

Popular Music ◽

Eastern European

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Balkan High, Balkan Low: Pop-Music Production Between Hybridity and Class Struggle

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_8 ◽

2019 ◽

pp. 155-170

Author(s):

Slobodan Karamanić ◽

Manuela Unverdorben

Keyword(s):

Class Struggle ◽

Pop Music ◽

Music Production

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Quiet Fanaticism: The Phenomenon of Leonard Cohen’s Popularity in Poland

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_3 ◽

2019 ◽

pp. 49-73

Author(s):

Ewa Mazierska ◽

Xawery Stańczyk

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Between Utopia and the Marketplace: The Case of the Sziget Festival

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_10 ◽

2019 ◽

pp. 191-211

Author(s):

Zsolt Győri

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The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_9 ◽

2019 ◽

pp. 173-190 ◽

Cited By ~ 1

Author(s):

Dean Vuletic

Keyword(s):

Eurovision Song Contest

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Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_7 ◽

2019 ◽

pp. 137-154

Author(s):

Ewa Mazierska

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Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s

Eastern European Popular Music in a Transnational Context ◽

10.1007/978-3-030-17034-9_2 ◽

2019 ◽

pp. 27-47

Author(s):

Adam Havlík

Keyword(s):

Western Music ◽

Iron Curtain ◽

State Socialist

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Eastern European Popular Music in a Transnational ContextLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Springer International Publishing

Success, Failure, Splendid Isolation: Czesław Niemen’s Career in Europe

Eastern Europe as Punk Frontier

Authenticity and Orientalism: Cultural Appropriations in the Polish Alternative Music Scene in the 1970s and 1980s

Introduction: Crossing National and Regional Borders in Eastern European Popular Music

Balkan High, Balkan Low: Pop-Music Production Between Hybridity and Class Struggle

Quiet Fanaticism: The Phenomenon of Leonard Cohen’s Popularity in Poland

Between Utopia and the Marketplace: The Case of the Sziget Festival

The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest

Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians

Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s

Eastern European Popular Music in a Transnational Context
Latest Publications