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Opera after 1900
Latest Publications
TOTAL DOCUMENTS
20
(FIVE YEARS 0)
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0
(FIVE YEARS 0)
Published By Routledge
9781315090337
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Latest Documents
Most Cited Documents
Contributed Authors
Related Sources
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The Concept of Epic Opera: Theoretical Anomalies in the Brecht-Weill Partnership
Opera after 1900
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10.4324/9781315090337-9
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2017
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pp. 183-192
Author(s):
Stephen Hinton
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Schoenberg as Moses and Aron*
Opera after 1900
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10.4324/9781315090337-4
◽
2017
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pp. 77-88
Author(s):
Joseph Auner
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The Shadow of Opera: Dramatic Narrative and Musical Discourse in Gawain
Opera after 1900
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10.4324/9781315090337-15
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2017
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pp. 319-355
Author(s):
David Beard
Keyword(s):
Musical Discourse
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Dramatic Narrative
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Ariadne, Daphne and the problem of Verwandlung 1
Opera after 1900
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10.4324/9781315090337-8
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2017
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pp. 167-181
Author(s):
Bryan Gilliam
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Hans Pfitzner’s Palestrina and the Impotence of Early Lateness
Opera after 1900
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10.4324/9781315090337-7
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2017
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pp. 151-166
Author(s):
Stephen McClatchie
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Berg’s Propaganda Pieces: The “Platonic Idea” of Lulu
Opera after 1900
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10.4324/9781315090337-5
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2017
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pp. 89-136
Author(s):
Margaret Notley
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The Great American Opera: Klinghoffer, Streetcar, and the Exception
Opera after 1900
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10.4324/9781315090337-19
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2017
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pp. 457-471
Author(s):
Lawrence Kramer
Keyword(s):
American Opera
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The best of all possible worlds: The Eldorado episode in Leonard Bernstein’s Candide
Opera after 1900
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10.4324/9781315090337-18
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2017
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pp. 431-456
Author(s):
Elizabeth B. Crist
Keyword(s):
Possible Worlds
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Kurt Weill, Modernism, and Popular Culture: Offentlichkeit als Stil
Opera after 1900
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10.4324/9781315090337-17
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2017
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pp. 387-429
Author(s):
Kim H. Kowalke
Keyword(s):
Popular Culture
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Kurt Weill
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‘Twisted relations’: Method and meaning in Britten’s Billy Budd
Opera after 1900
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10.4324/9781315090337-13
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2017
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pp. 273-299
Author(s):
Arnold Whittall
Keyword(s):
Billy Budd
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