Recording Studio Design
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Published By Elsevier

9780240520865

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Analogue audio interfacing

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50032-1 ◽

2007 ◽

pp. 632-647

Author(s):

Philip Newell

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Human factors

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50028-x ◽

2007 ◽

pp. 573-579

Author(s):

Philip Newell

Keyword(s):

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Response disturbances due to mixing consoles and studio furniture

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50024-2 ◽

2007 ◽

pp. 445-455

Author(s):

Philip Newell

Keyword(s):

Studio Furniture

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Rooms with characteristic acoustics

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50012-6 ◽

2007 ◽

pp. 169-211

Author(s):

Philip Newell

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Main supplies and earthing systems

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50031-x ◽

2007 ◽

pp. 618-631

Author(s):

Philip Newell

Keyword(s):

Earthing Systems

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The Live-End, Dead-End approach* *This chapter was written by Tim Goodyer, and was based on a series of conversations with the studio designer David Bell, an experienced exponent of Live-End, Dead-End control room techniques. Many hundreds of control rooms have been built to the specifications of this concept over a period of around 25 years, so this book would have been seriously lacking if an authoritative description of LEDE principles had not been included.

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50023-0 ◽

2007 ◽

pp. 437-444

Author(s):

Philip Newell

Keyword(s):

Control Room ◽

Dead End ◽

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Loudspeakers in rooms

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50017-5 ◽

2007 ◽

pp. 287-327

Author(s):

Philip Newell

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Designing neutral rooms

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50011-4 ◽

2007 ◽

pp. 119-168

Author(s):

Philip Newell

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Sound, decibels and hearing

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50008-4 ◽

2007 ◽

pp. 12-30

Author(s):

Philip Newell

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Foldback

Recording Studio Design ◽

10.1016/b978-0-240-52086-5.50030-8 ◽

2007 ◽

pp. 605-617

Author(s):

Philip Newell

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