Tippett Studies
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Published By Cambridge University Press

9780521592055, 9780521026833, 9780511481994

Latest Documents Most Cited Documents Contributed Authors Related Sources Related Keywords

‘Significant gestures to the past’: formal processes and visionary moments in Tippett's Triple Concerto

Tippett Studies ◽

10.1017/cbo9780511481994.009 ◽

1999 ◽

pp. 145-165 ◽

Author(s):

Stephen Collisson

Keyword(s):

The Past ◽

Triple Concerto

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From pastiche to free composition: R. O. Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli

Tippett Studies ◽

10.1017/cbo9780511481994.004 ◽

1999 ◽

pp. 27-54

Author(s):

Anthony Pople

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References to Tippett's scores and essays

Tippett Studies ◽

10.1017/cbo9780511481994.002 ◽

1999 ◽

pp. xv-xvi

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Preface

Tippett Studies ◽

10.1017/cbo9780511481994.001 ◽

1999 ◽

pp. ix-xiv

Author(s):

David Clarke

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Appendix: glossary of terms used in pitch-class set theory

Tippett Studies ◽

10.1017/cbo9780511481994.013 ◽

1999 ◽

pp. 223-224

Keyword(s):

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Tippett's King Priam and ‘the tragic vision’

Tippett Studies ◽

10.1017/cbo9780511481994.010 ◽

1999 ◽

pp. 166-185

Author(s):

Rowena Pollard ◽

David Clarke

Keyword(s):

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Tippett, sequence and metaphor

Tippett Studies ◽

10.1017/cbo9780511481994.007 ◽

1999 ◽

pp. 95-116 ◽

Author(s):

Christopher Mark

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Decline or renewal in late Tippett? The Fifth String Quartet in perspective

Tippett Studies ◽

10.1017/cbo9780511481994.012 ◽

1999 ◽

pp. 200-222 ◽

Author(s):

Peter Wright

Keyword(s):

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‘Is there a choice at all?’ King Priam and motives for analysis

Tippett Studies ◽

10.1017/cbo9780511481994.005 ◽

1999 ◽

pp. 55-77 ◽

Author(s):

Arnold Whittall

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‘Only half rebelling’: tonal strategies, folksong and ‘Englishness’ in Tippett's Concerto for Double String Orchestra

Tippett Studies ◽

10.1017/cbo9780511481994.003 ◽

1999 ◽

pp. 1-26

Author(s):

David Clarke

Keyword(s):

String Orchestra

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