Sculpture in Print, 1480–1600
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12

(FIVE YEARS 12)

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0

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Published By BRILL

9789004445864, 9789004421509

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Marcantonio Raimondi and Fragmentary Ancient Statues: Hypotheses on his Working Method and Antiquarian Practice

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_005 ◽

2021 ◽

pp. 95-123

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Considering the Viewer in Prints of Michelangelo’s Risen Christ: The Cases of Beatrizet and Matham

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_010 ◽

2021 ◽

pp. 272-293

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From Sculpture to Print to Sculpture. Parmigianino, Caraglio and the Mystery of the Barberini Faun

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_007 ◽

2021 ◽

pp. 168-197

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Aes Incidimus: Early Modern Engraving as Sculpture

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_003 ◽

2021 ◽

pp. 41-69

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Transferring Ancient Sculptures into Prints. Marcantonio Raimondi’s Quos Ego: Its Prototypes and Afterimages

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_004 ◽

2021 ◽

pp. 70-94

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On the Genesis of Antonio Tempesta’s Print of Henry ii on Horseback

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_011 ◽

2021 ◽

pp. 294-319

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Models for Sculptures in Print: Michelangelo’s Samson and Two Philistines in Lucas Kilian’s Engravings

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_013 ◽

2021 ◽

pp. 337-361

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“Quanto in virtù d’una ingegnosa mano / la fermezza de’marmi ai fogli cede”: The Art of Translating Sculpture into Print. An Introduction

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_002 ◽

2021 ◽

pp. 1-38

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Cherubino Alberti’s Engravings after Polidoro da Caravaggio: from Chiaroscuro to Sculpture

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_006 ◽

2021 ◽

pp. 124-167

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Sculpture’s Narrativity in Northern Renaissance Prints

Sculpture in Print, 1480–1600 ◽

10.1163/9789004445864_012 ◽

2021 ◽

pp. 320-336

Keyword(s):

Northern Renaissance

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