Re-Reading Leonardo
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Published By Routledge

9781315088839

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Section Three The Spanish Reception

Re-Reading Leonardo ◽

10.4324/9781315088839-16 ◽

2018 ◽

pp. 325-326

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Section Two The French Reception

Re-Reading Leonardo ◽

10.4324/9781315088839-9 ◽

2018 ◽

pp. 173-174

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Section One The Italian Reception

Re-Reading Leonardo ◽

10.4324/9781315088839-2 ◽

2018 ◽

pp. 37-38

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Section Five The English Reception

Re-Reading Leonardo ◽

10.4324/9781315088839-23 ◽

2018 ◽

pp. 473-474

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Section Four The Dutch, German, and Flemish Reception

Re-Reading Leonardo ◽

10.4324/9781315088839-19 ◽

2018 ◽

pp. 375-376

Author(s):

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Who Abridged Leonardo da Vinci’s Treatise on Painting?

Re-Reading Leonardo ◽

10.4324/9781315088839-5 ◽

2017 ◽

pp. 77-106

Author(s):

Claire Farago

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The Fortuna of Leonardo’s Trattato della Pittura in Nineteenth-Century Poland

Re-Reading Leonardo ◽

10.4324/9781315088839-27 ◽

2017 ◽

pp. 553-567

Author(s):

Marcin Fabiański

Keyword(s):

Nineteenth Century

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On the Movement of Figures in Some Early Apographs of the Abridged Trattato

Re-Reading Leonardo ◽

10.4324/9781315088839-6 ◽

2017 ◽

pp. 107-126

Author(s):

Michael Cole

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What Might Leonardo’s Own Trattato have Looked Like? And What did it Actually Look Like up to the Time of the Editio Princeps?

Re-Reading Leonardo ◽

10.4324/9781315088839-3 ◽

2017 ◽

pp. 39-60

Author(s):

Martin Kemp ◽

Juliana Barone

Keyword(s):

Editio Princeps

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The 1721 English Treatise of Painting: a Masonic Moment in the Culture of Newtonianism

Re-Reading Leonardo ◽

10.4324/9781315088839-24 ◽

2017 ◽

pp. 475-494

Author(s):

Richard Woodfield

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