scholarly journals Harmonisasi masyarakat plural: Praktik sosial di sekolah teologi untuk membangun nasionalisme Indonesia yang inklusif

Kurios ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 243
Author(s):  
Paulus Sugeng Widjaja

Indonesian Nationalism is historic and ethical, not natural. It was born out of a shared history of various groups in Indonesia in their struggle against the colonials, and of an ethical decision that those groups consciously took to become one nation. Such an inclusive nationalism must be intentionally developed structurally, systemically, and continuously by all the elements of the Indonesian nation, lest it would be wiped out by centralism, primordialism disguising in the form of dominant-religion-based nationalism, and unjust distribution of membership along with all its respected rights. Using the analysis from the perspective of Character Ethics, this article shows that theological schools have an important role in the character formation of inclusive nationalism through social practice in theological schools. Social practice is not simply a series of activities, but a series of intentional actions which are done together repeatedly by the whole members of the community. The history of an institution that was intended to prepare pastor assistants in Yogyakarta until it becomes the Faculty of Theology, Universitas Kristen Duta Wacana, at present is presented in this article as a model of effective social practice in the formation of inclusive nationalism. The research focuses on the intersubjective relations between all members of the Duta Wacana community, which reflects the very rich and deeply human experience, that takes place in the local everyday life, including various policies that are born out of that relationship with the religious-cultural identity that becomes its context.  AbstrakNasionalisme Indonesia bersifat historis dan etis, bukan alami. Ia lahir dari sejarah bersama kelompok-kelompok bangsa Indonesia melawan penjajah kolonial dan dari keputusan etis yang mereka ambil untuk menjadi satu bangsa Indonesia. Nasionalisme yang inklusif semacam itu harus dengan sengaja ditumbuh-kembangkan secara terstruktur, sistemik, dan berkesinambungan oleh segenap elemen bangsa agar tidak tergerus oleh ancaman sentralisme, primordialisme yang tersamar dalam bentuk nasionalisme berbasis agama dominan, dan ketidak-adilan distribusi keanggotaan beserta semua hak yang mengikutinya. Dengan menggunakan analisis dari perspektif Etika Karakter, tulisan ini menunjukkan bahwa sekolah-sekolah teologi memiliki peran penting untuk membentuk karakter nasionalisme yang inklusif melalui praktik sosial di sekolah-sekolah teologi terkait. Praktik sosial bukanlah sekadar rangkaian kegiatan, melainkan rangkaian tindakan yang dengan sengaja dilakukan secara bersama-sama berulang-kali oleh segenap anggota komunitas. Sejarah lembaga pendidikan asisten pendeta di Yogyakarta hingga menjadi Fakultas Teologi Universitas Kristen Duta Wacana diangkat dalam tulisan ini sebagai sebuah model praktik sosial yang terbukti efektif membentuk nasionalisme yang inklusif. Penelitian difokuskan pada relasi intersubjektif di antara segenap anggota komunitas ini, yang mencerminkan pengalaman insani yang sangat kaya dan mendalam, yang terjadi sehari-harinya dalam konteks lokalitas hidup, termasuk berbagai kebijaksanaan yang lahir dari relasionalitas tersebut serta identitas kultural religius yang menjadi konteksnya.

Author(s):  
Bree Akesson ◽  
Kearney Coupland

The war in Syria has led to a large number of Syrian families fleeing to neighboring countries, including Lebanon. Per capita, Lebanon has taken in more refugees than any other country in the world. Despite a shared history of taking in each other’s war-affected populations, the Government of Lebanon response has shifted from that of hospitality and protection to refusing to officially recognize displaced Syrians as refugees and imposing other restrictive policies that make everyday life a challenge for Syrian families. These actions have an impact upon the basic human rights of these families. Drawing upon data from research with 46 Syrian families, this paper will describe how Syrian family movement is restricted, identify the multiple and interrelated factors that contribute to immobility, explore how restricted mobility can compromised children, family, and human rights.


2018 ◽  
Vol 48 (2) ◽  
pp. 288-302
Author(s):  
Øyvind Vågnes

AbstractA significant contribution to the social history of immigration in the Nordic countries, Halfdan Pisket’sDanskertrilogy (2014–2016) is also a resonant visual-verbal reflection on the relationship between the face and the mask and its impact on the formation of individual and cultural identity. Pisket’s depiction of the hardship and alienation of the struggling immigrant is marked by a striking symbolism, and the article addresses how the three books collectively can be said to outline “an anatomy of facelessness”. The analysis revolves around three central aspects of Pisket’s depiction of the trilogy’s central protagonist: the imaginative re-appropriation of the myth of the Minotaur, the ambiguous deployment of the hooded figure, and the use of the facial portrait as an ambivalent emblem of the reservoir of individual human experience.


2021 ◽  
pp. 159-162
Author(s):  
Timothy Yu

The conclusion will propose that the Asian American, Asian Canadian, and Asian Australian writers discussed represent different modes of an Asian diasporic poetics; linked by a shared history of exclusion and racialization, their poems express formally the intersection of national and transnational forces that give a political meaning to “Asian” identity. A brief discussion of the Facebook group subtle asian traits illustrates the way diasporic Asian cultures are emerging online. The group, founded by young Asian Australians and now including over a million members from around the world, explores the images, tropes, and languages that can be used to express diasporic “Asianness,” while facing continual reminders of the political nature of what is often seen as a purely cultural identity.


2020 ◽  
Vol 15 (3) ◽  
Author(s):  
Olga Bajčev

Scientific interest in the painted pottery of the Starčevo culture in Serbia dates back to the very beginnings of research and the first works on the relative-chronological systematization of the Early and Middle Neolithic of the central Balkans. This paper presents the deconstruction of our established notion of painted ceramics as the ultimate parameter of relative-chronological dating, the most representative material reflection of the cultural identity of the people of Starčevo culture and the highest achievements of Starčevo culture. The paper discusses circumstances and archaeological practices through which this ingrained view and knowledge of painted pottery was formed. The research is based on the analysis of the biography of a painted vessel from the Starčevo-Grad site, having in mind that a detailed life history of an object can shed light on wider phenomena in the archaeological discipline. The aim of this paper is to remind that objects do not have a single essential meaning, but that their meaning shifts and builds through changes in the historical and social context, as well as through changes of actors gathered around certain practices in which the objects are used. The biography of the painted vessel is therefore viewed as a series of assemblages of relations in two planes, through which its identity and layers of meaning were built. The first plane is the Neolithic, in which the focus is on the practices of painting and use, and the second is her life in the role of an archaeological artifact, during which she moves from the sphere of scientific research and musealization to the sphere of negotiating contemporary cultural identities. By applying a new analytical approach, we discovered that this vessel was not very skilfully and carefully painted, and that as such it does not testify to the highest achievements of Starčevo culture, but to a social practice, learning, apprentices and mastering the skill of pottery painting. Therefore, I believe that by reducing painted pottery to relative-chronological parameters and luxury objects, we lose sight of the possibilities through which we can build much more diverse interpretations of the past.


2007 ◽  
pp. 42-63
Author(s):  
Sara Bender

The author discusses the history of the Jews of Chmielnik, a town situated 30 kilometres away from Kielce: from a short introduction covering the inter-war period, through the German invasion, ghetto formation, everyday life n the ghetto, deportations and the fate of the survivors. The author extensively describes social organisations and their activity in Chmielnik  (Judenrat, Ha Szomer ha-Cair), as well as the contacts between the Jews and the Poles.


2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.


2019 ◽  
Vol 5 (4) ◽  
pp. 14-20
Author(s):  
Ms. Cheryl Antonette Dumenil ◽  
Dr. Cheryl Davis

North- East India is an under veiled region with an awe-inspiring landscape, different groups of ethnic people, their culture and heritage. Contemporary writers from this region aspire towards a vision outside the tapered ethnic channel, and they represent a shared history. In their writings, the cultural memory is showcased, and the intensity of feeling overflows the labour of technique and craft. Mamang Dai presents a rare glimpse into the ecology, culture, life of the tribal people and history of the land of the dawn-lit mountains, Arunachal Pradesh, through her novel The Legends of Pensam. The word ‘Pensam’ in the title means ‘in-between’,  but it may also be interpreted as ‘the hidden spaces of the heart’. This is a small world where anything can happen. Being adherents of the animistic faith, the tribes here believe in co-existence with the natural world along with the presence of spirits in their forests and rivers. This paper attempts to draw an insight into the culture and gender of the Arunachalis with special reference to The Legends of Pensam by Mamang Dai.


Author(s):  
Elena A. Kosovan ◽  

The paper provides a review on the joint Russian-Belarusian tutorial “History of the Great Patriotic War. Essays on the Shared History” published for the 75th anniversary of the victory in the Great Patriotic War. The tutorial was prepared within the project “Belarus and Russia. Essays on the Shared History”, implemented since 2018 and aimed at publishing a series of tutorials, which authors are major Russian and Belarusian historians, archivists, teachers, and other specialists in human sciences. From the author’s point of view, the joint work of specialists from the Russian Federation and the Republic of Belarus in such a format not only contributes to the deepening of humanitarian integration within the Union state, but also to the formation of a common educational system on the scale of the Commonwealth of Independent States or the Eurasian integration project (Eurasian Economic Union – EEU). The author emphasises the high research and educational significance of the publication reviewed when noting that the teaching of history in general and the history of the Second World War and the Great Patriotic War in particular in post-Soviet schools and institutes of higher education is complicated by many different issues and challenges (including external ones, which can be regarded as information aggression by various extra-regional actors).


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