Bridging views in cinema: a review of the art and science of view integration

2017 ◽  
Vol 8 (5) ◽  
pp. e1436 ◽  
Author(s):  
Daniel T. Levin ◽  
Lewis J. Baker
Keyword(s):  
Art And Science ◽  
View Integration

The Art and Science of Predicting

1962 ◽  
Vol 7 (10) ◽  
pp. 379-380
Author(s):  
ELI A. RUBINSTEIN
Keyword(s):  
Art And Science

Bridging art and science

2013 ◽  
Author(s):  
Sadie Dingfelder
Keyword(s):  
Art And Science

Art and Science

1996 ◽  
Vol 35 (03) ◽  
pp. 201-201
Author(s):  
D. R. Masys
Keyword(s):  
Art And Science

Art and Science

2011 ◽  
Vol 38 (6) ◽  
pp. 7-8
Author(s):  
Kitty Hubbard
Keyword(s):  
Art And Science

Anesthesia and analgesia in preterm infants is still something in between art and science

2020 ◽  
Vol 86 (7) ◽  
Author(s):  
Marta Somaini ◽  
Pablo Ingelmo
Keyword(s):  
Preterm Infants ◽  
Art And Science

Muybridge / Technology

2010 ◽  
Vol 1 (1) ◽  
pp. 51-62
Author(s):  
Marta Braun
Keyword(s):  
Single Camera ◽  
Art And Science ◽  
Animal Locomotion ◽  
Human Figure ◽  
Final Work

Eadweard Muybridge's 1887 photographic atlas Animal Locomotion is a curious mixture of art and science, a polysemic text that has been subject to a number of readings. This paper focuses on Muybridge's technology. It seeks to understand his commitment to making photographs with a battery of cameras rather than a single camera. It suggests reasons for his choice of apparatus and shows how his final work, The Human Figure in Motion (1901), justifies the choices he made.

Two Ways Not To Be a Solipsist: Art and Science, Pater and Pearson

2000 ◽  
Vol 43 (1) ◽  
pp. 7-41 ◽  
Author(s):  
George Levine
Keyword(s):  
Art And Science

The Art and Science of Jewish Messianic Preaching

1999 ◽  
Author(s):  
Richard C. NICHOL
Keyword(s):  
Art And Science
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