Orthodontic Treatment and Voice and Wind Instrument Performance

2021 ◽  
pp. 177-189
Author(s):  
Abdul-Latif Hamdan ◽  
Valerie Trollinger
1999 ◽  
Vol 25 (1) ◽  
pp. 18-29
Author(s):  
Howard Green ◽  
Shari Green

This article identifies, defines and reviews the synergy between orofacial myofunctional and orthodontic health with regard to wind instrument performance, and summarizes the skills involved in playing an instrument. (i.e. embouchure, articulation, breath support.) Criteria and strategies for choosing an instrument are outlined via orthodontic classifications, therapeutic value or contraindication and team approaches. The author concludes that a team-oriented approach on the part of the professions cited in this article are of the ultimate good for the student/patient.


2021 ◽  
pp. 105797
Author(s):  
Aliza Abraham ◽  
Ruichen He ◽  
Siyao Shao ◽  
S. Santosh Kumar ◽  
Changchang Wang ◽  
...  

2012 ◽  
Vol 3 (2) ◽  
pp. 1-30
Author(s):  
Atsuo Takanishi ◽  
Nobutsuna Endo ◽  
Klaus Petersen

In present research the advanced fundamental mechanical capabilities of anthropomorphic robots developed in Takanishi laboratory at Waseda University are to be enhanced in order to enable these robots to interact with humans in a natural way. The anthropomorphic robot KOBIAN is able to express human-like facial expressions and whole-body gestures. It is equipped with vision and audio sensors that allow it to react to interaction input from human partners and to generate an appropriate emotional expression response. Furthermore, the anthropomorphic flute playing robot WF-4RVI is technically able to perform a musical wind-instrument performance at the level of an intermediate human player. Using this fundamental technical capability the authors implemented a musical-based interaction system (MbIS) that enables the robot to collaboratively play together with human musicians in a natural way. For both of the introduced interaction systems, the authors present and discuss the result of various experiments that were done to examine how well the interaction with a robot resembles realistic human-to-human interaction.


1981 ◽  
Vol 8 (3) ◽  
pp. 147-148 ◽  
Author(s):  
Peter J. M. Crawford

A lip shield is described for use by wind instrument players undergoing multiband orthodontic treatment. The value to the wind instrumentalist of freedom from malocclusion or dental irregularities is discussed. There would seem to be a real conflict between the need for practice and the desirability of orthodontic treatment for these patients.


2020 ◽  
Author(s):  
Aliza Abraham ◽  
Ruichen He ◽  
Siyao Shao ◽  
S. Santosh Kumar ◽  
Changchang Wang ◽  
...  

AbstractThere has been growing concern about high risk of airborne infection during wind instrument performance as the COVID-19 pandemic evolves. In collaboration with 16 musicians from the Minnesota Orchestra, we employ multiple experimental and numerical techniques to quantify the airflow and aerosol concentration emitted from ten wind instruments under realistic performance conditions. For all instruments, the extent of the flow and aerosol influence zones are limited to 30 cm. Further away, the thermal plume generated by the human body is the dominant source of flow. Flow and aerosol concentration vary in response to changes in music amplitude, pitch, and note duration, depending on playing technique and instrument geometry. Covering the trumpet bell with speaker cloth and placing filters above the instrument outlet can substantially reduce the aerosol concentration. Our findings indicate that with appropriate risk mitigation strategies, musical instrument performance can be conducted with low risk of airborne disease transmission.


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