Merab Mamardashvili, A Spy for an Unknown Country. Essays and Lectures by Merab Mamardashvili. Edited and translated by Julia Sushytska and Alisa Slaughter. Stuttgart and Hannover, Germany: Ibidem, 2020. 242 pages. Paperback: ISBN: 9783838214597, €34,90

Author(s):  
Alyssa DeBlasio
Keyword(s):  
2009 ◽  
Vol 5 (1-2) ◽  
pp. 30-49
Author(s):  
Daniel Regnier
Keyword(s):  

In the article the author examines a reference made by Merab Mamardashvili in his book Classical and Non-classical Ideals of Rationality to the work of the Georgian psychologist Dimitri Uznadze (1886–1950). Uznadze’s concepts are introduced and described for the purpose of establishing how Uznadze’s overall project as represented by his theory of “set” can lead to a better understanding of certain basic intentions of Mamardashvili’s philosophy. This is done primarily through an analysis of Mamardashvili’s reception of Uznadze’s theory of set.


2019 ◽  
Vol 24 (2) ◽  
pp. 301-341
Author(s):  
Inti Yanes-Fernandez

In his speech “The European Responsibility,” the Georgian philosopher Merab Mamardashvili summarizes his utopia of a fulfilled humanity by presenting it as an integration of two main traditions: the Graeco-Roman and Judeo-Christian ones. In contrast, David Dubrovsky launches a new perspective for present and future human evolution: the cyber-superman, i.e. the perfect merging of human mind and digital brain—or the bio-digital interface. “Intelligence” here is not just an artificial by-product of a highly organized technological structure, but the reproduction of mental operations through the techno-replication of the bio-brain as material substrate: the Dubrovskyan avatar. In the present article, I focus on Dubrovsky’s and Mamardashvili’s anthropological paradigms, and their relationship to the phenomena of cyberbeing and cyberculture. I examine the phenomenon of cyberbeing as a “built-in” feature of a bio-electronic, transhuman ontology that impacts and transforms personhood into “cyborghood” in the context of an interactive digital framework of fictional transcendences, body-deconstruction and bio-technological interplays. My aim is to develop a critical approach to Dubrovsky’s cybernetic anthropology and avatar-theory, along with its meaning and implications for our world-epoch, in contrast to Mamardashvili’s ontology, which proves essentially incompatible with the moment of technological singularity—i.e. with the creation of a transhuman bio-digital avatar as envisioned and prophesized by Dubrovsky.


Author(s):  
Alyssa DeBlasio

Known as the 'Georgian Socrates' of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia's two leading film schools, helping to educate a generation of internationally prolific directors. Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image.


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