Fighting Their Own War. South African Blacks and the First World War. By Albert Grundlingh. Johannesburg: Ravan Press, 1987. Pp x + 200. R. 23.95 (paperback).

1989 ◽  
Vol 30 (3) ◽  
pp. 516-517
Author(s):  
Anthony Clayton
Popular Music ◽  
1991 ◽  
Vol 10 (2) ◽  
pp. 121-145 ◽  
Author(s):  
Christopher Ballantine

The explosive development of a jazz-band tradition in South African cities from the 1920s – closely allied to the equally rapid maturation of a vaudeville tradition which has been in existence at least since the First World War – is one of the most astonishing features of urban-black culture in that country in the first half of the century. Surrounded by myriad other musics – styles forged by migrant workers; traditional styles transplanted from the countryside to the mines; petty bourgeois choral song; music of the church and of western-classical provenance – jazz and vaudeville quickly established themselves as the music which represented and articulated the hopes and aspirations of the most deeply urbanised sectors of the African working class.


2016 ◽  
Vol 3 (2) ◽  
pp. 94-103
Author(s):  
Barend Van der Merwe ◽  
Tshitso Challa

Archiving is a process that involves the carefully documented storage of historical objects and documents. History involves events that we choose to remember or forget, nevertheless, the year 2014 is no insignificant year. Not only did South Africans celebrate 20 years of democracy, it was also 100 years since the outbreak of the First World War (1914–1918), the Rebellion of South Africa, as well as the establishment of the National Party of South Africa. It also marked 40 years since the establishment of Qwaqwa, a former “homeland” of South Africa. This article critically reflects on the establishment of Qwaqwa by introducing its records and exploring the key questions: What is the main legacy of the establishment of Qwaqwa for South Africans? How was Qwaqwa managed and who were its influential leaders? Against this backdrop, this article will also discuss the role of the Dikwankwetla Party and the resettlement aspect. It is hoped that the introduction of these records will stimulate further research into the topic of the South African homeland system and cultivate greater insights into the country’s contested history.


2017 ◽  
Vol 60 (3) ◽  
pp. 745-769 ◽  
Author(s):  
ELIZA RIEDI

AbstractDespite the well-established historiography examining the South African war's impact upon British society, little attention has been paid to the plight of British soldiers’ families or to the charitable efforts mobilized to maintain them in the absence of adequate state support. This article, focusing on the key charity in the field, the Soldiers’ and Sailors’ Families Association (SSFA), examines the SSFA's wartime policies and considers how the Association's actions influenced subsequent state policy-making. It explores the motivations and attitudes of its middle-class, mostly female, volunteers, on whose sustained commitment the work of the SSFA depended. In analysing the sources of the SSFA's funding, it considers how class and regionality shaped public giving to patriotic philanthropy. Finally, it investigates how perceptions of soldiers’ wives and mechanisms for their support in the First World War were affected by the South African war experience. Overall, the article aims both to demonstrate the importance of philanthropic aid to soldiers’ families in understanding the domestic impact of this imperial war, and to trace the longer-term effects on the development of policies towards servicemen's dependants.


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