The South African War as Prelude to the First World War

Author(s):  
Gordon L. Heath
2017 ◽  
Vol 60 (3) ◽  
pp. 745-769 ◽  
Author(s):  
ELIZA RIEDI

AbstractDespite the well-established historiography examining the South African war's impact upon British society, little attention has been paid to the plight of British soldiers’ families or to the charitable efforts mobilized to maintain them in the absence of adequate state support. This article, focusing on the key charity in the field, the Soldiers’ and Sailors’ Families Association (SSFA), examines the SSFA's wartime policies and considers how the Association's actions influenced subsequent state policy-making. It explores the motivations and attitudes of its middle-class, mostly female, volunteers, on whose sustained commitment the work of the SSFA depended. In analysing the sources of the SSFA's funding, it considers how class and regionality shaped public giving to patriotic philanthropy. Finally, it investigates how perceptions of soldiers’ wives and mechanisms for their support in the First World War were affected by the South African war experience. Overall, the article aims both to demonstrate the importance of philanthropic aid to soldiers’ families in understanding the domestic impact of this imperial war, and to trace the longer-term effects on the development of policies towards servicemen's dependants.


Popular Music ◽  
1991 ◽  
Vol 10 (2) ◽  
pp. 121-145 ◽  
Author(s):  
Christopher Ballantine

The explosive development of a jazz-band tradition in South African cities from the 1920s – closely allied to the equally rapid maturation of a vaudeville tradition which has been in existence at least since the First World War – is one of the most astonishing features of urban-black culture in that country in the first half of the century. Surrounded by myriad other musics – styles forged by migrant workers; traditional styles transplanted from the countryside to the mines; petty bourgeois choral song; music of the church and of western-classical provenance – jazz and vaudeville quickly established themselves as the music which represented and articulated the hopes and aspirations of the most deeply urbanised sectors of the African working class.


2003 ◽  
Vol 44 (2) ◽  
pp. 211-239 ◽  
Author(s):  
JAN-BART GEWALD

Namibian politics and society are today dominated by people who trace their descent from the settlements and homesteads of Ovamboland in southern Angola and northern Namibia. Yet, prior to 1915, and the defeat by South Africa of the German colonial army in German South-West Africa, very few Ovambo had settled in areas to the south of the Etosha Pan. In 1915, a Portuguese expeditionary army defeated Kwanyama forces in southern Angola, and unleashed a flood of refugees into northern Namibia. These refugees entered an area that was already overstretched. Since 1912 the rains had failed and, on account of the First World War, trade and migration had come to a standstill. As a result the area was experiencing its most devastating famine ever. Unable to find sanctuary in Ovamboland, thousands of people trekked southwards into central Namibia, an area which had only just come under the control of South Africa. The famine allowed for the easy entrance of South African military administrators and labour recruiters into Ovamboland and heralded the demise of Ovambo independence. By focusing on developments in the central Namibian town of Karibib between 1915 to 1916, the article explores the move of the Ovambo into central and southern Namibia. It traces the impact of war and drought on Ovambo societies, and follows Ovambo famine migrants on their route south into areas administered by the South African military administration. Discussion also concentrates on the reception and treatment of Ovambo famine migrants in the Karibib settlement, and argues that the refugee crisis heralded the establishment of Ovambo in modern central and southern Namibia.


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