Citizen Participation, Design Competition and the Product in Urban Design: Insights from the Orange County Great Park

2013 ◽  
Vol 19 (1) ◽  
pp. 89-118 ◽  
Author(s):  
Ajay Garde
1988 ◽  
Vol 26 (4) ◽  
pp. 21-24
Author(s):  
John Schenk

2014 ◽  
Vol 20 (44) ◽  
pp. 323-328
Author(s):  
Yasutomi SAKUMA ◽  
Yoshito YAMAZAKI ◽  
Yuko MIZUNO ◽  
Yu SHIBATA ◽  
Naoko KURIYAMA ◽  
...  

2014 ◽  
Vol 50 ◽  
pp. 59-92 ◽  
Author(s):  
İpek Akpınar

AbstractIn the 1930s, the attention of Turkey’s politicians shifted back from Ankara and Anatolian cities to İstanbul. In 1932, the Governorship-Municipality of İstanbul organized an urban design competition for İstanbul, and four foreign city planners were invited. In the meantime, Martin Wagner came to İstanbul for the preparation of urban reports. In 1937, Henri Prost, the prominent urbanist of Paris, was invited to İstanbul and prepared the first master plan of the city. In Turkey and in İstanbul, town planning processes have been significantly influenced by “Western” planning principles, cultures, and experiences while gaining a local meaning in the context of Turkish politics and the state-formation process. The aim of this study is to describe the urban design competition of 1933 and the first master plan of 1937. Beyond references to Western European cities as in the “city-beautiful” planning approach, this study, based on a series of official documents, plan reports and their rhetoric, investigates in particular the role of foreign planners/urbanists in İstanbul in the context of the construction of a nation-state. The analysis of these foreign planners’ work suggests that urban planning in Republican Turkey was closely linked to the construction of the nation state.


1999 ◽  
Vol 3 (3) ◽  
pp. 202-219 ◽  
Author(s):  
Florian Beigel ◽  
Philip Christou

This winning design in the 1998 Lichterfelde Süd International Landscape and Urban Design Competition is for the regeneration of a former military training ground on the southern boundary of Berlin. The brief was for a new urbanism of the periphery, with 3200 dwellings on a 115 hectare site. The design is a continuation of research embracing conditions of uncertainty and change on mainly post-industrial or former military sites. It could be described as a fragment of an infrastructural urbanism in preparation for an unpredictable diversity of architectures.


Author(s):  
Antoni Remesar

In 1999, the Governing Council of the Universitat de Barcelona approved the creation of the POLIS Research Center. Later, in 2016, the Center was ratified after passing an assessment of the Catalan Accreditation Agency (AGAUR). The Centre has an interdisciplinary vocation and brings together researchers from different research groups at the University of Barcelona and cooperates with nine European and Ibero-American universities in the fields of Arts, Architecture and Human and Social Sciences. Academically, the Centre has promoted the doctoral program Public Space and Urban Regeneration (1998–2017) and the Master’s Degree in Urban Design: Art, City, Society (since 2007) and the publication of the journal On the w@terfront. The research object of the Centre is the city and its public space and, more specifically, the role of citizens in the production of Public Art and Urban Design. For this reason, the work of the Centre covers the topics related to Urban Regeneration, Sustainability, Urban Governance, Civic Remembrance, Heritage. Throughout its twenty-year history, the Centre has developed a series of projects for citizen participation in various areas of the periphery of Barcelona: River Besòs (municipality of Sant Adrià de Besòs) La Mina neighbourhood (municipality of Sant Adrià de Besòs) and the Barcelona’s neighbourhoods of Baró de Viver and Bon Pastor. A characteristic of the work of the centre has been, and is, the endorsement of citizen participation, through an innovative approach based on enabling the creative empowerment of the neighbours within the framework of Participatory Action Research. This approach is based on a project methodology, as it is understood in various project disciplines from Art to Architecture, from Design to Engineering. This article, associated with the itinerant exhibition “20 years working with neighbours,” reviews the founding project carried out by the Centre, “Social Uses of the River Besòs” (1997–1999), analysing the lessons learned, with the aim of clarifying the research criteria that the Centre follows for the development of citizen participation projects.


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