Problematizing the popular: the dynamics of Pinoy pop(ular) music and popular protest music

2007 ◽  
Vol 8 (3) ◽  
pp. 390-413
Author(s):  
Teresita Gimenez Maceda
2019 ◽  
Vol 116 (4) ◽  
pp. 421-435
Author(s):  
Mark S. Medley

A connection exists between the Christological hymn of praise and protest in Col 1:15–20 and popular protest music. The connection is the lyrical ability to transform political and socio-cultural realities, as well as to empower and mobilize protest and resistance against imperial power and coercive structures of domination. A special focus is on Billie Holiday’s song, “Strange Fruit,” a contemporary model of a protest song in comparison to Col 1:15–20. In the comparison, the Colossians hymn draws upon the political ideology and imagery of the Roman Empire in the form of a counter-discourse, as was Jewish resistance poetry, in ways analogous to how Holiday’s “Strange Fruit” evokes the imagery of white racial terror for the sake of raising political consciousness.


2014 ◽  
Vol 37 (5) ◽  
pp. 638-659 ◽  
Author(s):  
Anastasia Valassopoulos ◽  
Dalia Said Mostafa

1999 ◽  
Vol 38 (4) ◽  
pp. 423-444 ◽  
Author(s):  
Mark Stoyle

In May 1648 a group of Cornishmen who had rebelled against Parliament in the name of Charles I met with comprehensive defeat at “the Gear,” near Helford, and were then pursued back across the Lizard peninsula to the seacoast beyond. Surrender seemed inevitable, yet a number of the fugitives refused to submit. Instead they “joyned hand-in-hand” and hurled themselves bodily into the water: “a desperate expedient on that rocky coast,” as one later writer remarked. What can have driven them to such despair? No convincing answer can be given by looking at the events of 1648 alone. The rebels' despairing plunge can be understood only if it is seen as the final act in a long-running drama, a story of repeated popular protest in West Cornwall that spanned over 150 years. It is a story that has gone largely unrecognized by previous historians, most of whom have portrayed the Cornish revolts of 1497, 1548, 1549, 1642, and 1648 as isolated events rather than as part of a continuum. Yet it is a story that deserves to be told, not only because it provides a dramatic new explanation for many of the most important rebellions of the Tudor and Stuart periods, but also because it serves as an enduring monument to a forgotten people and their struggle to preserve a separate identity for themselves in the face of overwhelming odds.A fierce sense of distinctiveness has always characterized the inhabitants of Cornwall.


Sign in / Sign up

Export Citation Format

Share Document