Although it is widely observed that a consequential “turn to ethics” took place in the field of literary criticism beginning in the late 1980s, this book argues that a broader cultural privileging of psychological and therapeutic frameworks has led to a displacement of the importance of moral reflection and moral judgment in the literary field. Between the pervasive influence of psychology on intellectual paradigms and cultural life, and the critique of morality within ideological criticism, key elements of the moral life, and of moral experience within the time of a life, have been lost to view. This introduction maps out the recent work on ethics in literary studies, introduces the moral significance of British object relations theory (an outlier among the psychological frameworks under analysis), and concludes by discussing Kant and Nietzsche’s divergent understandings of the psychological dimensions of moral life.
The Phenomenology of Moral Experience.
