Noniterative calibration of a camera lens with radial distortion

2012 ◽  
Vol 23 (10) ◽  
pp. 105013 ◽  
Author(s):  
Junfang Wu ◽  
Guixiong Liu
Keyword(s):  
Camera Lens ◽  
Radial Distortion

A new phase to height model in fringe projection profilometry by considering radial distortion of camera lens

Optik ◽  
2021 ◽  
pp. 167895
Author(s):  
Jong-Chol Kang ◽  
Chol-Su Kim ◽  
Il-Jun Pak ◽  
Ju-Ryong Son ◽  
Chol-Sun Kim
Keyword(s):  
Fringe Projection ◽  
Camera Lens ◽  
Radial Distortion ◽  
New Phase ◽  
Height Model ◽  
Fringe Projection Profilometry

Camera lens radial distortion correction using two-view projective invariants

2011 ◽  
Vol 36 (24) ◽  
pp. 4734 ◽  
Author(s):  
Xin Du ◽  
Hongdong Li ◽  
Yunfang Zhu
Keyword(s):  
Distortion Correction ◽  
Projective Invariants ◽  
Camera Lens ◽  
Radial Distortion

Determination of the Center of Radial Distortion for a Camera Lens

2020 ◽  
Vol 69 (9) ◽  
pp. 7015-7027
Author(s):  
Pablo Vera ◽  
Octavio Icasio-Hernandez ◽  
Joaquin Salas
Keyword(s):  
Camera Lens ◽  
Radial Distortion

Corrective method for spectral offset error caused by radial distortion in the large aperture static imaging spectrometer

2020 ◽  
Vol 13 (6) ◽  
pp. 1-8
Author(s):  
AN Ling-ping ◽  
◽  
WANG Shuang ◽  
ZHANG Geng ◽  
LI Juan ◽  
...  
Keyword(s):  
Imaging Spectrometer ◽  
Radial Distortion ◽  
Large Aperture ◽  
Corrective Method ◽  
Offset Error ◽  
Static Imaging

Eye Camera Window: Takashi Homma on Le Corbusier

Public ◽  
2021 ◽  
Vol 32 (63) ◽  
pp. 118-121
Author(s):  
Na’ama Freeman
Keyword(s):  
Le Corbusier ◽  
Focus Attention ◽  
Visual Interpretation ◽  
Camera Lens ◽  
The Way

A new exhibition at the Canadian Centre for Architecture (Montreal, QC), Eye Camera Window: Takashi Homma on Le Corbusier, investigates the practice of Japanese architectural photographer Takashi Homma (1962) and his exploration of the intrinsic similarities between windows and cameras in the way they mediate an experience, be it in a modernist dwelling or in a photograph recalling a memory. Homma’s photographs focus attention on the ‘eye’, the ‘camera’, and the ‘window’ in the way they shape perspective in intimate form. In a visual interpretation that uses the camera lens as an eye to witness new forms, Homma advances an argument of timelessness, providing intimate architectural perspectives on eternal vistas.

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