Introduction: Theology of Culture as Theological Humanism

2004 ◽  
Vol 18 (3) ◽  
pp. 239-250 ◽  
Author(s):  
D. E. Klemm
Author(s):  
Samuel Andrew Shearn

This book tells the story of Paul Tillich’s early theological development from his student days until the end of the First World War, set against the backdrop of church politics in Wilhelmine Germany and with particular reference to his early sermons. The majority of Tillich scholarship understands Tillich primarily as a philosophical theologian. But before and during the First World War, Tillich was Pastor Tillich, studying to become a pastor, leading a Christian student group, working periodically as a pastor in Berlin churches, and preaching to soldiers. Arriving in Berlin after the war, Tillich pursued religious socialism and a theology of culture through the 1920s. But the theological basis of these programmes was what Tillich considered his main concern immediately after the war: the theology of doubt. This book, using a wealth of untranslated German sources largely unknown to English-language scholarship, presents the stations of Tillich’s theological development of the notion of the justification of the doubter up to 1919. Distinguishing between Tillich’s later autobiographical statements and the witness of archival sources, a significantly original, contextualized account of Tillich’s early life in Germany emerges. From his days as the conservative son of a conservative Lutheran pastor to the battle-worn chaplain who could even write about ‘faith without God’, Tillich underwent considerable change. This book should therefore speak to any interested in the history of modern theology, as an example of how biography and theology are intertwined.


1987 ◽  
Vol 82 (2) ◽  
pp. 259-268
Author(s):  
Tom F. Driver
Keyword(s):  

Author(s):  
Jessica DeCou

Due to a widespread perception that he was a theologian of division, Karl Barth is not generally counted amongst the twentieth century’s great theologians of culture. Although this reputation derives largely from an unfair caricature, it also grows out of Barth’s very real scepticism concerning the possibility of a theology of culture that could avoid the deification of human achievements. Those who delve deeply into Barth’s understanding of culture, however, find in his writings a rich resource in his eschatological appreciation of secular culture. This chapter examines his writings on culture between 1926 and 1932, including his lectures on ethics and Church Dogmatics I/1, as well as his later essays on Mozart (1956) and relevant portions of Church Dogmatics IV/3, noting how these texts can be positively interpreted and can fund a contemporary theology of culture.


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