Eight Centuries of Troubadours and Trouvères: The Changing identity of medieval music By John Haines. pp. xii + 347. Musical Performance and Reception. (Cambridge University Press, Cambridge, 2004, £50. ISBN 0-521-82672-1.)

2006 ◽  
Vol 87 (2) ◽  
pp. 300-302
Author(s):  
Daniel Leech-Wilkinson
Keyword(s):  
Musical Performance ◽  
Cambridge University ◽  
Medieval Music

PERFORMING EIGHTEENTH-CENTURY IBERIAN MUSIC ESCOLA SUPERIOR DE MÚSICA DE CATALUNYA, BARCELONA, 14–16 JULY 2014

2015 ◽  
Vol 12 (1) ◽  
pp. 138-141
Author(s):  
ALEJANDRO VERA
Keyword(s):  
Eighteenth Century ◽  
Music History ◽  
Musical Performance ◽  
Cambridge University ◽  
Long Time

Musical performers and performing processes are relatively new objects of study if we compare them with composers and works, categories that have been at the centre of musicological concerns for a long time: so much so that in a relatively recent publication, An Introduction to Music Studies, ed. J. P. E. Harper-Scott and Jim Samson (Cambridge: Cambridge University Press, 2009), the study of musical performance is presented as a field of renewal for music history and analysis.

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