The Keyboard in Baroque Europe. Ed. by Christopher Hogwood. pp. xviii + 245. Musical Performance and Reception. (Cambridge University Press, Cambridge, 2004, £50. ISBN 0-521-81055-8.)

Music and Letters ◽

10.1093/ml/gci076 ◽

2005 ◽

Vol 86 (3) ◽

pp. 471-473

Author(s):

Kimberly Marshall

Keyword(s):

Musical Performance ◽

Cambridge University

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The Guitar in Stuart England: A Social and Musical History. Christopher Page. Musical Performance and Reception. Cambridge: Cambridge University Press, 2019. xx + 288 pp. $29.99.

Renaissance Quarterly ◽

10.1017/rqx.2021.73 ◽

2021 ◽

Vol 74 (2) ◽

pp. 681-682

Author(s):

Cory M. Gavito

Keyword(s):

Musical Performance ◽

Cambridge University ◽

Musical History ◽

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The Cambridge History of Musical Performance2013103Colin Lawson and Robin Stowell. The Cambridge History of Musical Performance. Cambridge: Cambridge University Press 2012. xxvi+906 pp., ISBN: 978 0 521 89611 5 £110, $190

Reference Reviews ◽

10.1108/09504121311308705 ◽

2013 ◽

Vol 27 (3) ◽

pp. 35-36

Author(s):

Stuart Hannabuss

Keyword(s):

Musical Performance ◽

Cambridge University ◽

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PERFORMING EIGHTEENTH-CENTURY IBERIAN MUSIC ESCOLA SUPERIOR DE MÚSICA DE CATALUNYA, BARCELONA, 14–16 JULY 2014

Eighteenth Century Music ◽

10.1017/s1478570614000591 ◽

2015 ◽

Vol 12 (1) ◽

pp. 138-141

Author(s):

ALEJANDRO VERA

Keyword(s):

Eighteenth Century ◽

Music History ◽

Musical Performance ◽

Cambridge University ◽

Musical performers and performing processes are relatively new objects of study if we compare them with composers and works, categories that have been at the centre of musicological concerns for a long time: so much so that in a relatively recent publication, An Introduction to Music Studies, ed. J. P. E. Harper-Scott and Jim Samson (Cambridge: Cambridge University Press, 2009), the study of musical performance is presented as a field of renewal for music history and analysis.

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Eight Centuries of Troubadours and Trouvères: The Changing identity of medieval music By John Haines. pp. xii + 347. Musical Performance and Reception. (Cambridge University Press, Cambridge, 2004, £50. ISBN 0-521-82672-1.)

Music and Letters ◽

10.1093/ml/gci184 ◽

2006 ◽

Vol 87 (2) ◽

pp. 300-302

Author(s):

Daniel Leech-Wilkinson

Keyword(s):

Musical Performance ◽

Cambridge University ◽

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Review:The Organs of J. S. Bach: A HandbookThe Organs of J. S. Bach: A Handbook, by Christoph Wolff and Markus Zepf . Translation by Lynn Edwards Butler . Introduction by Christoph Wolff . Published in cooperation with the American Bach Society. Urbana, Chicago, and Springfield : University of Illinois Press , 2012 . xxv , 208 pp.J. S. Bach at His Royal Instrument: Essays on His Organ Works, by Russell Stinson . Oxford and New York : Oxford University Press , 2012 . xi , 203 pp.Bach's Feet: The Organ Pedals in European Culture, by David Yearsley . Musical Performance and Reception. Cambridge and New York : Cambridge University Press , 2012 . xiv , 298 pp.

Journal of the American Musicological Society ◽

10.1525/jams.2014.67.2.587 ◽

2014 ◽

Vol 67 (2) ◽

pp. 587-596

Author(s):

Ernest D. May

Keyword(s):

New York ◽

Musical Performance ◽

University Of Illinois ◽

Cambridge University ◽

Oxford University ◽

European Culture ◽

Organ Works ◽

Oxford University Press

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John Haines, Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music. Musical Performance and Reception. Cambridge: Cambridge University Press, 2004. xii, 347 pp. £50. ISBN 0 521 82672 1.

Plainsong and Medieval Music ◽

10.1017/s0961137106220382 ◽

2006 ◽

Vol 15 (2) ◽

pp. 180-183

Author(s):

Annette Kreutziger-Herr

Keyword(s):

Musical Performance ◽

Cambridge University ◽

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John Rink (ed.), Musical Performance: A Guide to Understanding. Cambridge: Cambridge University Press, 2002, 245 pp. ISBN 0 521 78300 3 (hardback) 0 521 78862 5 (paperback)

Musicae Scientiae ◽

10.1177/102986490500900107 ◽

2005 ◽

Vol 9 (1) ◽

pp. 183-189

Author(s):

Luke Windsor

Keyword(s):

Musical Performance ◽

Cambridge University

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The Guitar in Tudor England: A Social and Musical History. Christopher Page. Musical Performance and Reception. Cambridge: Cambridge University Press, 2015. xx + 248 pp. $99.99.

Renaissance Quarterly ◽

10.1086/702118 ◽

2018 ◽

Vol 71 (4) ◽

pp. 1552-1554

Author(s):

Christopher Marsh

Keyword(s):

Musical Performance ◽

Cambridge University ◽

Tudor England ◽

Musical History

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Is There Only Juan Brahms? - Daniel Beller-McKenna, Brahms and the German Spirit. Cambridge, MA, and London: Harvard University Press, 2004. xi + 243 pp. ISBN 0 674 01318 2. - Performing Brahms: Early Evidence of Performance Style, edited by Michael Musgrave and Bernard D. Sherman Musical Performance and Reception. Cambridge: Cambridge University Press, 2003. xx + 391 pp. ISBN 0 521 65273 1. - Peter H. Smith, Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in his Werther Quartet. Musical Meaning and Interpretation. Bloomington and Indianapolis: Indiana University Press, 2005. ix + 325 pp. ISBN 0 253 34483 2.

Journal of the Royal Musical Association ◽

10.1093/jrma/fkl007 ◽

2006 ◽

Vol 131 (1) ◽

pp. 160-175 ◽

Author(s):

Roger Moseley

Keyword(s):

Instrumental Music ◽

Harvard University ◽

Musical Performance ◽

Musical Meaning ◽

Indiana University ◽

Performance Style ◽

Cambridge University ◽

1 Peter ◽

Early Evidence ◽

Music Structure

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Children of Depressed Mothers: From Early Childhood to Maturity. By M. Radke-Yarrow. Cambridge University Press, Cambridge, 1998. pp. 216. £27.95 (hb).

Journal of Child Psychology and Psychiatry ◽

10.1017/s0021963001216953 ◽

2001 ◽

Vol 42 (4) ◽

pp. 557-558

Author(s):

Tirril O. Harris

Keyword(s):

Early Childhood ◽

Cambridge University ◽

Depressed Mothers

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