Tactics of the Invisible, Shadow Archives
This chapter shifts the reflections on marginalization and visibility discussed in chapter 3 to Brasilia, the modernist capital that was built from scratch in forty-one months and completed in 1960. Embodying a strategic visuality intent on ordering urban space, Brasilia also produced massive forms of invisibility, as illustrated by the forced relocation of workers to peripheral satellite cities and by the repression of marginal histories—histories that are buried beneath the city’s surface like the bodies of workers who died during its construction. Paying special attention to Vladimir Carvalho and Adirley Queirós, this chapter examines a counter-visual cinema that is dedicated to what is invisible and even non-visual—such as the sounds of the periphery and the voices of workers whose memories contradict the official record.