Italian Film Comedy

2020 ◽  
pp. 159-186
Author(s):  
William V. Costanzo

From Dante’s Divine Comedy to the more human forms of commedia all’italiana, the varieties of humor in Italian movies follow the fortunes and misfortunes of the Italian people. This chapter considers why so much Italian comedy, like Italian food, appeals to global audiences with its consistent focus on marriage, sexual politics, and the little guy trying to get by with a touch of larceny. It also explores Italy’s preoccupation with its unique regional stereotypes and the darker regions of the human comedy. Throughout their long history, and especially on the screen, Italians have always been ready to laugh at their own flaws and root for the trickster.

2012 ◽  
Vol 2 (2) ◽  
pp. 47-65
Author(s):  
Owen Barfield

2017 ◽  
Vol 7 (3) ◽  
pp. 195-209
Author(s):  
Rachel Fountain Eames

Charles Kingsley's lifelong interest in geology is well documented – from the gentleman geologists of his early novels and his membership of the Geological Society, to his introduction to earth science for children, Madam How and Lady Why (1870) – but the influence of geological ideas in The Water-Babies (1863) has been largely overlooked. Instead, academics have broadly categorised the novel as an ‘evolutionary parable’, emphasising Darwinian influences to the exclusion of contemporary geology. I propose that there is a distinct geological subtext underpinning The Water-Babies. Acknowledging both its scientific and religious contexts, I argue that Kingsley integrates elements of his geological studies into clear stratigraphic forms in the novel; that these ideas recur in the novel's surface geography and are informed by his reading of contemporary geologists; and that The Water-Babies is part of a longstanding generic tradition of Christian geological katabasis that can be traced back to Dante's Divine Comedy (1555).


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