Introduction
For most of my life, I’ve thought of Love and Death as my favorite movie. It’s a 1975 satire about Russian literature featuring humor that runs the gamut from highbrow referential comedy, to slapstick, to what could only be described as dad jokes. It’s also full of explicitly philosophical discussions, so as a philosophy-minded adolescent who went on to become a philosophy professor, I was no doubt predisposed to like it. I don’t think it’s a famous movie, exactly, so you may not be familiar with it. ...
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2017 ◽
Vol 21
(1)
◽
pp. 310-316
2017 ◽
Vol 21
(1)
◽
pp. 305-309
Keyword(s):