The Ambassadors

Mapping Intimacies ◽

10.1093/owc/9780199538546.001.0001 ◽

2008 ◽

Author(s):

Henry James

Keyword(s):

New York ◽

Middle Aged ◽

New York Edition

Lambert Strether, a mild middle-aged American of no particular achievements, is dispatched to Paris from the manufacturing empire of Woollett, Massachusetts. The mission conferred on him by his august patron, Mrs Newsome, is to discover what, or who, is keeping her son Chad in the notorious city of pleasure, and to bring him home. But Strether finds Chad transformed by the influence of a remarkable woman; and as the Parisian spring advances, he himself succumbs to the allure of the ‘vast bright Babylon’ and to the mysterious charm of Madame de Vionnet. The text of this Oxford World’s Classics paperback is that of the New York edition, with James’s Preface.

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The Turn of the Screw and Other Stories

10.1093/owc/9780199536177.001.0001 ◽

2008 ◽

Author(s):

Henry James

Keyword(s):

New York ◽

The Other ◽

Victorian Culture ◽

Ghost Story ◽

Country House ◽

Small Children ◽

New York Edition

A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncle at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead. Like the other tales collected here – ‘Sir Edmund Orme’, ‘Owen Wingrave’, and ‘The Friends of the Friends’ – ‘The Turn of the Screw’ is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's ‘infernal imagination’, which torments but also entrals her? ‘The Turn of the Screw’ is probably the most famous, certainly the most eerily equivocal, of all ghostly tales. Is it a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, ‘the most hopelessly evil story that we have ever read’? The texts are those of the New York Edition, with a new Introduction and Notes.

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