Alan C. Swedlund, Shadows in the Valley: A Cultural History of Illness, Death, and Loss in New England, 1840-1916

2011 ◽  
Vol 24 (3) ◽  
pp. 844-845
Author(s):  
E. R. Seeman
Keyword(s):  
New England ◽  
Cultural History ◽  
History Of ◽  
Death And Loss

The Puritans and Music in England and New England. A Contribution to the Cultural History of Two Nations

1935 ◽  
Vol 8 (3) ◽  
pp. 433
Author(s):  
Kenneth B. Murdock ◽  
Percy A. Scholes
Keyword(s):  
New England ◽  
Cultural History ◽  
History Of

scholarly journals Rupturing Salem, Reconsidering Subjectivity: Tituba, the Witch of Infinity in Maryse Condé’s I, Tituba, Black Witch of Salem

2019 ◽  
Vol 51 (1) ◽  
pp. 43-59
Author(s):  
Junghyun Hwang
Keyword(s):  
New England ◽  
Identity Formation ◽  
Cultural History ◽  
American Exceptionalism ◽  
American Identity ◽  
The Other ◽  
Mccarthy Era ◽  
Community Boundaries ◽  
History Of ◽  
The Witch

The Salem witch-hunt, invoking the “red hunt” analogy of the McCarthy era, has been a persistent metaphor for persecution, a symbol of fanatic excess in policing the community boundaries. In American cultural history, however, Salem is regarded American only insofar as it proves un-American—as an exception to American exceptionalism. In particular, Tituba, the only non-white “witch” of the trials to whom the unleashing of the hysteria itself has often been attributed, embodies what is negated in Salem against which Americanness is to be affirmed. Maryse Condé’s 1986 novel, I, Tituba, Black Witch of Salem recuperates Tituba from this darkness not only to reconfigure American identity but ultimately to reconsider human subjectivity. In Condé’s Salem, New England Puritanism showcases the primal scene of American identity formation, in which the personal, national, and religious subjectivities are fused to form the American self as the autonomous self-possessed individual. Tituba, in contrast, exemplifies an alternative subjectivity as an embodied being constituted in relation to others. Similar to Emmanuel Levinas’s ethical subject, Condé’s Tituba highlights the primacy of the other in the formation of the human subject, ultimately rupturing the totality of history with a counter-history of silenced voices or the infinity of the other.

The Puritans and Music in England and New England: A Contribution to the Cultural History of Two Nations

1935 ◽  
Vol 7 (2) ◽  
pp. 233
Author(s):  
Clarence Gohdes ◽  
Percy A. Scholes
Keyword(s):  
New England ◽  
Cultural History ◽  
History Of
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