Suspended between Sacred and Profane: the Iconography of Mary Magdalene from Its Origins to the Fifteenth Century

1963 ◽  
Vol 4 ◽  
pp. 51-58
Author(s):  
Harry M. Ritchie

Of all the isolated plays and fragments of religious drama that have come down to us from fifteenth-century England, none has caused the literary or theatrical historian more difficulty than the mystery-miracle play of St. Mary Magdalene contained in Bodleian Digby MS 133. As Hardin Craig and others have stated, the rubrics call for the most elaborate staging indicated in any English medieval play. Unlike the short playlets of fifty to two hundred lines which comprise the bulk of such cycles as Chester or York, the Mary Magdalene is 2,144 lines long and demands a minimum of sixty-four speaking performers plus some twenty to thirty mute attendants.


2012 ◽  
Vol 17 (1) ◽  
pp. 39-69 ◽  
Author(s):  
S.C. Rowell

This article examines the development of charitable activity in the city of Vilnius and elsewhere in the Grand Duchy of Lithuania before the middle of the sixteenth century by studying the foundation of almshouses to care for the poor and destitute and foster the memory and salvation of pious benefactors. Almshouse foundations developed from increasing forms of practical piety within the GDL from the late fifteenth century, following earlier west European and Polish models. The first, dedicated to traditional patrons of such institutions, St Job and St Mary Magdalene, was founded by a Vilnius canon and medical doctor, Martin of Duszniki with the support of the monarch, Sigismund the Old, and his counsellors between 1518 and 1522. The almshouse swiftly became an established part of the city’s sacral topography. The fashion was adopted by Eastern Orthodox parishes in Vilnius too, and later spread to other confessional groups. Twelve charters are published for the first time in an appendix.


Sign in / Sign up

Export Citation Format

Share Document