A Contemporary Liturgical Problem: The Divine Office and Public Worship

1971 ◽  
Vol 8 (3) ◽  
pp. 129-168
Author(s):  
W. Jardine Grisbrooke
Keyword(s):  
2020 ◽  
pp. 1-20
Author(s):  
Andrew McGowan

Abstract While Percy Dearmer’s influence on Anglican liturgy through The Parson’s Handbook and The English Hymnal are well known, his lectures on The Art of Public Worship, given in 1919 when he was visiting professor at Berkeley Divinity School in Connecticut, USA, introduce a different phase of his liturgical thought. A new emphasis on modernizing language, brevity of form, and alternative forms of worship would later have expression in England via his association with the Guildhouse in London, and in the hymnal Songs of Praise. Comparing The Art of Public Worship with the later Prayer Book Interleaves by Berkeley Divinity School’s Dean William Palmer Ladd leads to the suggestion that this ‘second Dearmer’ also had an afterlife in the American liturgical movement.


1875 ◽  
Vol s5-IV (91) ◽  
pp. 249-249
Author(s):  
Aaron Roberts
Keyword(s):  

Archaeologia ◽  
1888 ◽  
Vol 51 (1) ◽  
pp. 173-188 ◽  
Author(s):  
N.H.J. Westlake

The accompanying notes are made for the purpose of introducing to the Society the beautiful copies of ancient frescoes from the churches of Athens which have been lent for exhibition by the Marquis of Bute. His lordship had these copies made during his stay at Athens in 1885. He has given a full account of them in an essay on “Some Christian Monuments of Athens,” published in the Scottish Review (July 1885), and the descriptions of the pictures given in this paper are quoted from his lordship's essay. These paintings and the monuments containing them are of course subject to decay, but they are, it appears, in greater danger of wilful destruction from speculative excavations to unearth monuments more ancient, or from attempts to make use of the materials of such monuments for new buildings. It is from no wanton vandalism that such destruction arises, but it is evidently the result of the uncultivated condition of the present race of Athenians. In the article in the Scottish Review the writer thus comments on this unsatisfactory state of things:—A decree of Otho L, dated May 20, 1836, placed at the disposal of the Ministry of Public Worship every ruined church in Greece, however important historically or however precious artistically, as a mine for the building of new places of public worship, the new University of Athens, &c. This decree is conceived as if no such things as History or Art existed. The results have been terrible, and Finlay, as an eye-witness, speaks of “the destruction of numerous mediæval churches which formed a valuable link in the records of Athens, and an interesting feature in Athenian topography, while they illustrated the history of art by their curious and sometimes precious paintings.”


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