Reviews : Nietzsche and Soviet Culture: Ally and Adversary. Edited by Bernice Glatzer Rosenthal. (Cambridge Studies in Russian Literature.) Cambridge: Cambridge University Press,1994. Pp. xvi + 421. £40.00

1995 ◽  
Vol 25 (3) ◽  
pp. 339-340
Author(s):  
Richard Davies
Author(s):  
Christopher Ricks

Charles Henry Gifford (1913–2003), a Fellow of the British Academy, was a scholar-critic whose death at the age of ninety brought home what true piety is, in contemplation of his supple stamina and of his own discriminating piety towards the literary geniuses whose presences he owned: Leo Tolstoy and George Seferis, Boris Pasternak and Samuel Johnson, Dante and T. S. Eliot. He was a teacher for thirty years at the University of Bristol, a reviewer for the Times Literary Supplement, as essayist for Grand Street, and general editor (for Cambridge University Press) of the Cambridge Studies in Russian Literature. Educated at Harrow and then at Christ Church, Oxford, Gifford gained his BA in 1936, securing those foundations in Classics that were once held to be indispensable to all humane literary studies. Though he changed his mind as to whether he was cut out to be a poet, he never dispensed with what underpinned his love of poetry, the trained analytical and synthesising powers that his study of classical literature had helped to establish within him.


Russomania ◽  
2020 ◽  
pp. 343-432
Author(s):  
Rebecca Beasley

The final chapter of Russomania explores how the war and the Russian revolutions of 1917 transform the role of Russian literature for British-based writers. The first part of the chapter examines debates about Russian and French literature in The Egoist, the home of imagist poetry. It focuses in particular on the emergence of style as a key criterion of literary modernity, championed by the editors Richard Aldington and T. S. Eliot, and the process of its rejection as materialist by Egoist contributors, John Cournos and John Gould Fletcher. Their aesthetics take on a particular, anti-Bolshevik pertinence in the wake of the October Revolution, which Cournos witnessed as a member of the Foreign Office’s propaganda bureau in Petrograd. The chapter surveys British knowledge of the Russian revolutions and early Soviet culture, and analyzes the literary response they elicited..


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