Book Review: At the Risk of Thinking: An Intellectual Biography of Julia Kristeva

Thesis Eleven ◽  
2021 ◽  
Vol 166 (1) ◽  
pp. 162-164
Author(s):  
John Lechte
Keyword(s):  
Julia Kristeva ◽  
Intellectual Biography

scholarly journals Book Review: Nietzsche, the Aristocratic Rebel: Intellectual Biography and Critical Balance-Sheet

2020 ◽  
Vol 85 (1) ◽  
Author(s):  
Irving Hexham
Keyword(s):  
Balance Sheet ◽  
Intellectual Biography ◽  
German Edition

Originally published as Nietzsche, il ribelle aristocratico. Biografia intellettuale e bilancio critic. Torino, Bollati Boringhieri, 2002. German edition, Nietzsche, der aristokratische Rebell. Berlin, Argument Verlag, 2009.

Book Review Symposium: John A Hall Ernest Gellner: An Intellectual Biography

Sociology ◽  
2012 ◽  
Vol 46 (4) ◽  
pp. 753-758
Author(s):  
Mark Haugaard ◽  
Bryan S Turner ◽  
Sam Pryke
Keyword(s):  
Review Symposium ◽  
Intellectual Biography

scholarly journals Book Review: Julia Kristeva, The Severed Head: Capital Visions

2013 ◽  
Vol 21 (1) ◽  
pp. 193-195
Author(s):  
Matthew R McLennan
Keyword(s):  
Julia Kristeva

The following reviews Kristeva's 2011 text on artistic, cultural, and political uses of images of severed heads.

scholarly journals New Intellectual Biography of Max Weber

2020 ◽  
Vol 19 (3) ◽  
pp. 466-475
Author(s):  
Oleg Kil'dyushov
Keyword(s):  
Max Weber ◽  
Intellectual Biography

Book review: Gangolf Hübinger, Max Weber: Stationen und Impulse einer intellektuellen Biographie (Tübingen: Mohr Siebeck, 2019).

Risking Who One Is, at the Risk of Thinking

2016 ◽  
pp. 243-259
Author(s):  
Alice Jardine
Keyword(s):  
Julia Kristeva ◽  
The State ◽  
Intellectual Biography

‘Risking Who One Is, at the Risk of Thinking: On Writing an Intellectual Biography of Julia Kristeva’, written by Alice Jardine, discusses the task of writing an intellectual biography and highlights the state of the discipline and the role of the contemporary critic as an arbiter of categories whose task is to define the contemporary and contemporary studies. In his essay, Jardine asks ‘How can one operate critically as an intellectual when one’s corpus, one’s object of critique, has been produced by a living artist, philosopher-critic, or writer with whom one feels deep affinity?’

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