Book Review: Media Industry Studies by Daniel Herbert, Amanda D. Lotz & Aswin Punathambekar

2021 ◽  
pp. 1329878X2110421
Author(s):  
Karina Aveyard
2021 ◽  
pp. 107-116
Author(s):  
Georgia Aitaki ◽  
Lydia Papadimitriou ◽  
Yannis Tzioumakis

2009 ◽  
Vol 2 (2) ◽  
pp. 234-253 ◽  
Author(s):  
Timothy Havens ◽  
Amanda D. Lotz ◽  
Serra Tinic

2021 ◽  
pp. 016344372110227
Author(s):  
Michael L Wayne

Using the media industry studies approach, this article provides a history of the industrial discourses surrounding Netflix’s audience data. From Netflix’s entry into the streaming market in 2007 until late-2018, the company did not publicize information about viewership. During this time, executives’ public discussions of proprietary data are understood in relation to multiple organizational goals: differentiating the streaming platform from the traditional television industry, denigrating traditional television industry practices, and deflecting criticism. In late-2018, the company began selectively publishing viewership numbers for a small number of original titles to highlight the popularity of the platform’s original content. Although the company maintains its anti-transparency policies, the shift toward selective data releases has significant implications regarding Netflix’s relationship with the traditional television industry. This analysis concludes with a discussion of streaming audience data that situates in the emerging realities of ‘popular’ television in the context the medium’s broader transformations and continuities.


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