Tweeting ourselves to death: the cultural logic of digital capitalism

Media scholarship has long argued that public discourse is a function of the architecture of the media by which it is carried. Media architecture is, as political economists have argued, in turn shaped by the capitalist regime of accumulation within which the media operate. This paper draws together these two strands of literature to ask: as the accumulation of data is coming to define contemporary capitalism, what cultural logic does this produce? The paper argues that, as media are shaped around the extracting user data, they become organized around personhood and the extension of commodification deeper into our sense of self. The lifestyle fragmentation and segmentation engendered by new media technologies carry over into public discourse, shaping a public, and political life defined by identity and difference. If, as Neil Postman suggested, a society’s way of knowing reflects its media technology, the emerging epistemology of the social media society is truth as identity, as our very ways of knowing are reduced to expressions of who we are.

Responses to health risk and suffering: ‘China’ in the Italian media discourses during the early stage of the Covid-19 pandemic

Italy was one of the first European countries affected by the Covid-19 pandemic after the beginning of the outbreak in China in January 2020. Applying critical discourse analysis and theories of the mediation of suffering, this article explores the discursive strategies used by the Italian media to represent China and Chinese people in relation to the outbreak in the early stage of the pandemic. Employing the theoretical frameworks of Mary Douglas, Michel Foucault, and other thinkers on biopolitics, racism, and emergency, the results bring to light the persistent ideologies behind the media representations of an imagined Other, which reflect existing discourses toward the Chinese community in Italy. In this study, the contentious discourses around China and the Chinese amidst the pandemic reveal the role of the Italian media in presenting risks, mediating suffering as a distant event and, later, as a national concern.

Mediatisation and the construction of what is morally right and wrong in contemporary business

The recent discussion on mediatisation prompts questions about how it arises and how social spheres are marked by it. In this article, we use business as an example of a social sphere to show that the production of normativity by and through the media is a central aspect of mediatisation. The empirical case of the article is the Deepwater Horizon disaster. Six specific techniques were used by the media to construct the case as an instance of corporate misbehaviour that met public recognition. The techniques are instrumental in forming the predicament of a modern mediatised business sphere, it is argued.

Keep it Oakland: e-commerce meets social justice

This article examines the labor involved with the upkeep of social media accounts for Oakland-based brick-and-mortar boutiques and their digital storefronts, particularly as businesses move their wares online during shelter-in-place amid the ongoing Covid-19 pandemic. Focusing on independent shops in Oakland, California, particularly those which are part of Oakland’s Indie Alliance – a coalition of independent small business owners – this article explores the role of shop workers in producing the authentic aesthetics of themselves and store accounts as a replacement for brick-and-mortar shops. How do small-scale shop owners and clerks make platforms, which were not designed with their needs in mind, work for them? How does sellers’ performance of the local interface with a global digital marketplace and platform infrastructures? In what ways do existing racial hierarchies and structural inequalities affect shop personnel’s experiences of platforms and apps meant to facilitate business transactions? I focus on the Oakland Indie Alliance’s Covid Recovery and Repair funds, which employ social media and crowdfunding platforms or payment apps to provide assistance to local businesses, particularly those which are BIPOC and/or immigrant owned, connecting commercial and social justice oriented goals.

Internet blackouts in Meghalaya: A case of emerging complexities in the digital age

The paper is rooted in the observations from the two internet blackouts witnessed in Meghalaya in 2018 and 2019. The state is located in the North Eastern region of India and this study focuses on the Khasi population residing in the East Khasi Hills District. The study explores the complex role social media has played in information dissemination in the digital age. India currently leads the world in terms of internet blackouts and it has been imposed 538 times in the country. This phenomenon has become a reoccurring trend over the last few years with the rise in digital communications and technological affordances. The paper addresses the dualistic nature of social media and how it can be empowering on the one hand, and can also be a key contributor to mis(dis)information on the other. The study offers a non-digital centric approach by adopting digital ethnographic methods and offers insights into the social media practices and experiences of the Khasi participants as well as delving into the problematic nature of internet blackouts with respect to Meghalaya. Evidently, social media has become a space in which most individuals carry their identity, aspirations, views, history, and opinions.

Rethinking journalism standards in the era of post-truth politics: from truth keepers to truth mediators

In this article, we argue for a pragmatic understanding of the role of news media and journalism not as truth keepers but as truth mediators in the public sphere. In the current debate on ‘post-truth politics’ the emphasis is often put on the formulation of ethical guidelines and legal solutions to regain control over ‘unbound journalism’ or to re-establish truth in the news media. Instead of holding journalists individually accountable for the spread of fake news, we consider truth as an unstable outcome of fact-finding, information-seeking and contestation, where journalists act as professional brokers. Journalists are not individuals that are closer to facts or more devoted to truth than others. They are rather embedded in a professional field of journalism practices that help to establish the value of information in a trusted way that becomes acceptable and convincing for the majority. Standards and procedures of journalism can therefore not be applied in a way to detect truth in an absolute way and defend it against falsehood, but to approach truth in the most reliable and acceptable way. The truth value of information then becomes the (unstable) outcome of a democratically necessary procedure of critical debate facilitated by journalists.

Time for a change: women, work, and gender equality in TV production

This article uses Acker’s concept of inequality regimes to analyze qualitative research findings on work-life balance and gender equality for women in British television production. Female survey respondents, focus group participants, and interviewees spoke of their subjective experience of gendered work practices which disadvantage women as women. These findings build on existing research showing gender disadvantage in the industry, leading to loss of human capital and a narrowing of the range of creative experience. They also show that growing numbers of women are seeking alternative modes of production, at a time of increased awareness of inequality. Such alternatives suggest that change is possible, although it is strongly constrained by organizational logics and subject to continued resistance, in line with Acker’s framework of analysis. Visibility of inequalities is the key to supporting change.

Remembering COVID-19: memory, crisis, and social media

Worldwide, pubic memory initiatives are attempting to memorialize the current COVID-19 crisis whilst it is still ongoing. The Picturing Lockdown collection is one such initiative, led by Historic England (HE), the UK’s statutory adviser on historic environment. Calling out to the public to submit photographed experiences of lockdown to both its website and via social media, HE recruited the public to partake in a national memory-making endeavor. To examine memorialization practices of the present, this research asks: in an era of social media, how is an archive of an ongoing crisis represented? Using a qualitative method for visual and textual analysis, this research compares the official HE Picturing Lockdown archive collection and #PicturingLockdown on Instagram. Analysis reveals tensions in three spheres: the institutional, the temporal, and the spatial. Demonstrating the dynamism and “presentism” introduced by social media, this research illustrates how traditional practices of commemoration are shifting.