Book review: Matthew David, Peer to Peer and the Music Industry: The Criminalization of Sharing. London: Sage, 2010. xiv + 186 pp. £62.00 (hbk) ISBN 9781847870056

2011 ◽  
Vol 13 (3) ◽  
pp. 509-510
Author(s):  
Stephen Harrington
Keyword(s):  
2014 ◽  
Vol 5 (1) ◽  
pp. 37-44
Author(s):  
Kobra Elahifar

Peer-to-peer (P2P) file-sharing technologies have impacted the music industry, including its strategies for the distribution of the musical products, for more than a decade now. As a result, music labels have delayed full digitization of their industry in fear of “online music piracy”. The present paper reviews the historical context of the evolution of the music industry from 1999 to 2012. Using Actor-Network theory, the paper examines the strategies that helped the music industry to translate new actors’ effect in order to sustain music labels’ business on their path to digitize music distribution. I will discuss the impact of new digital policies and methods of governing online behavior including the business concept of “entrepreneurship” as they may potentially affect the future of public domain within the framework of consumer rights.


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