Surviving From the Margins: A Conversation About Identity With James Baldwin

2020 ◽  
pp. 194084472094351
Author(s):  
Anjuliet G. Woodruffe

Black feminist thought and Black feminist autoethnography are the theoretical and methodological tools that I use to explore transnational identity construction as a Black, Trinidadian–American woman who has experienced hyper(in)visibility. Three letters capture my epiphanic moments as the outsider-within. I stage an interaction with the late literary-activist–scholar, James Baldwin, to address identity-making through race and transnationality, and to problematize interpersonal, structural, and disciplinary forms of power that shape my identity. My critical autoethnography is a self-story—a story that is always navigating between dual citizenships and culture. I place my epiphanic moments in conversation with those of James Baldwin to highlight Black experience from the past and present to provide new ways of narrating difference.

2021 ◽  
Vol 37 (1) ◽  
pp. 1-4
Author(s):  
Tempest M. Henning ◽  
Scott Aikin ◽  


2021 ◽  
Vol 10 (1) ◽  
pp. 4-27
Author(s):  
Shardé M. Davis ◽  
Frances Ashun ◽  
Alleyha Dannett ◽  
Kayla Edwards ◽  
Victoria Nwaohuocha

Academia can be a hostile environment for Black women. Our research team leveraged Black feminist research praxis to produce new knowledge countering conceptions of Black women students and faculty as people who are unintelligent, produce superfluous work, and worthy of being ignored. In order to locate spaces for healing, mentorship, and validation, we engaged in a collaborative autoethnography to co-narrate our experiences while conducting a study for, by, and about Black women. Re-purposing tools from Black feminist thought, critical autoethnography, and collaborative autoethnography enabled us to write ourselves into existence, countering damaging narratives and subverting the harm inflicted by the institution.


2021 ◽  
Vol 7 (2) ◽  
pp. 92-109
Author(s):  
Amber Jamilla Musser

This essay analyzes two African artifacts—a nkisi and a bieri—in order to parse the utility of liquidity as a Black feminist analytic. Enlarging the concept of media to incorporate these artifacts, the text links diaspora, blackness, and affect to the violence of colonial rupture, while also using an analytic of sweat to explore forms of expressivity that escape capture. Sweat becomes a way to think between two axes within Black feminist thought: the pornographification of the racialized body that Hortense Spillers and others have described, and the joy and critique embedded in Audre Lorde’s erotic, especially in relation to formations of diaspora and spirituality.


2021 ◽  
Vol 47 (1) ◽  
pp. 7-12
Author(s):  
Treva Lindsey ◽  
Alexis Pauline Gumbs

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