Nanotechnologies for contemporary art conservation: Some applications on plastics

2018 ◽  
pp. 181-183
Author(s):  
M. Gómez ◽  
D. Reggio ◽  
M. Lazzari ◽  
I. Rodríguez-Arias ◽  
M.A. López-Quintela
Author(s):  
Julia Giebeler ◽  
Andrea Sartorius ◽  
Gunnar Heydenreich ◽  
Andreas Fischer

Heritage ◽  
2021 ◽  
Vol 4 (3) ◽  
pp. 2023-2043
Author(s):  
Elli Kampasakali ◽  
Theodora Fardi ◽  
Eleni Pavlidou ◽  
Dimitrios Christofilos

Green contemporary art conservation cleaning methods are explored as sustainable museum practices, ensuring the conservator’s health and reducing the environmental impact. The performance of selected biodegradable cleaning agents, namely deionised (DI) water, a chelate based on trisodium salt of methylglycinediacetic acid (MGDA), Trilon® M, a non-ionic surfactant based on alkoxylated fatty alcohols (Plurafac® LF900), and two solvents, limonene and ethyl lactate, was evaluated for the surface cleaning of polymethyl methacrylate (PMMA), polylactic acid (PLA), polypropylene (PP), and plasticized polyvinyl chloride (pPVC). Plastic mockups were used untreated or artificially soiled, simulating particulate matter or sebum stains produced by handling. Furthermore, the efficacy of ink removal from the plastic’s surface was evaluated. Surface examination was carried out using optical microscopy (OM), scanning electron microscopy (SEM), and atomic force microscopy (AFM), while μ-Raman and gloss measurements complemented the cleaning assessment methodology. The cleaning agents’ potency depends on the type of plastic, precluding a general cleaning protocol. However, their cleaning efficacy is very promising, enriching the available choices for the cleaning of plastics, using sustainable materials and practices. This study offers valuable information to the conservation field regarding the effects of the selected biodegradable cleaning agents on each type of plastic, their application method, and their cleaning efficacy for the removal of different types of soil and ink.


2021 ◽  
Vol 60 (2-3) ◽  
pp. 67-68
Author(s):  
Mareike Opeña ◽  
Martha Singer ◽  
Delia Müller-Wüsten

Author(s):  
Stephen Monteiro

Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Working from a media and cultural studies perspective, Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures – Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through analysis of a range of examples and source materials, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema’s shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.


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