Childhood Revisited: On the Relationship between Childhood Studies and Children's Literature

2003 ◽  
Vol 28 (4) ◽  
pp. 230-239 ◽  
Author(s):  
Nina Christensen
Target ◽  
2011 ◽  
Vol 23 (1) ◽  
pp. 77-91 ◽  
Author(s):  
Judith A. Inggs

The study of translation and censorship is of particular interest in the context of Russia and the Soviet Union. With the aim of stimulating further discussion, particularly in relation to recent developments in the sociology of translation, this article takes the example of L. Frank Baum’s The Wizard of Oz (1900) and its adaptation by Alexander Volkov as The Wizard of the Emerald City (Volshebnik izumrudnogo goroda) (1939) in order to explore the relationship between the multiple forces at work in the translation of children’s literature under conditions of censorship. By means of an analysis of the differences between the two texts I conclude that censorship is a complex phenomenon which provides fertile ground for the creative manipulation and appropriation of texts and can be considered as an active participant in the creation of an image of a foreign body of literature and its location in a particular literary field.


2020 ◽  
Vol 10 (1) ◽  
pp. 40-50
Author(s):  
Justyna Sztobryn-Bochomulska

Philosophy in literature may also be found in children’s books, especially those concerning such serious subjects as death. The authors of these books often introduce the philosophy of life and the meaning of death by showing them through the prism of a meeting of a child and an elderly person. What results from these meetings and what other qualities, apart from the context of familiarizing with death, can be found in these literary meetings? The reference point in the paper is Andrzej Nowicki’s philosophy of a meeting, i.e. incontrology.


2017 ◽  
Vol 10 (2) ◽  
pp. 194-212
Author(s):  
Charlotte Appel ◽  
Nina Christensen

In this article we present the cross-disciplinary methodology of a project on Danish children's literature 1790–1850 that has the child as the point of departure. The project focuses on three contexts in which children and adults interact with books: the home, the school and the book market. Theoretical inspirations have been drawn from book history, children's literature studies and childhood studies, including the concept of agency. A major database maps Danish books aimed at children 1750–1850, making it possible to trace the popularity of titles through reprints and new editions and to follow specific actors (authors, illustrators, printers and so on). Ego-documents by children – for example, letters written by Ida Thiele (1830–1862) – are analysed as sources of information on children's own experiences with books, their use of different media and their interaction with peers, relatives and teachers in relation to reading and books. Finally, we demonstrate how significant changes in form, content and the materiality of books for children can be captured, when following specific books such as E. Munthe's books on history and geography around the communication circuit. The article concludes that a combination of different cross-disciplinary methodologies is essential in a history of children's literature with children at its centre.


Sign in / Sign up

Export Citation Format

Share Document